SUMMARY: Mulder does some deep and not so deep thinking about his relationship with Scully after the episode "Never Again"

DISCLAIMER: Mulder, Scully, Captain Scully, Modell, that Eddie guy, Donnie Pfaster, Samantha, and Cancer Man are not mine. (Big surprise!) I don't own them, nor is any infringement meant. They belong to Chris Carter, 1013, and Fox. (Equal pay for Gillian, guys!) The lyrics used are all from songs written by The Cranberries and I guess they and Island records own the rights (Island Records Rules!). Douglas Adams is responsible for the meaning of Life, the Universe, and Everything, as well as the Increasingly Inaccurately Named Hitchiker's Trilogy. The bang/whimper quote is from "The Hollow Men" by T.S. Eliot.

WARNING: Some spoilers. About two bad words.
This is set right after that episode where Scully gets a tatoo that remarkably looks exactly like the Millenium logo. CC must have a thing for that "full circle" philosophy. For those who didn't see it, and don't care about having it spoiled, Scully goes off to investigate a case while Mulder goes to Graceland, meets some guy whose tattoo talks to him, gets a tattoo herself (but it doesn't talk :( , sleeps with him (maybe, it's not quite known; for this story, I'll just assume she did), almost gets killed, and has a deep conversation with Mulder that consists of like, five sentences and lots of silence. She also has a nice haircut. Mulder, on the other hand...

Send all comments (good, bad, ambivalent, whatever) to dareh@discoverymail.com

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BUT A WHIMPER

by: Dare, Goddess of Crisp, Green Wine and Fine, Vintage Celery

*Not everything is about you, Mulder. This is my life.*

Her words I could hear replaying over and over again in my ears, in my head. I knew I would hear them for a long time. I knew I would see her face as she spoke these world-shattering sentences. Not that they had any effect on the world itself, or even the universe that I know houses the truth. Just on my world. My pathetic universe. Her face had been so cold, so detached. She could have been looking up from the autopsy table and telling me that the spleen was punctured as easily as she was sticking those words like a rapier into my guarded yet vulnerable heart.

*"Not everything is about you, Mulder.*

Yeah, well, EVERYTHING is about you, Scully. Everything. I sighed. I seem to be doing that a lot. I rolled over to get off the couch, intent on remembering just how much Smirnoff was in the kitchen. Why bother? The vodka would only lessen the pain. So I rolled over back onto the couch, intent on self-pity, intent on letting the pain pervade me. Why not? I had nothing better to do. This is my life. This pain so normal it was as part of my day as the blue of the sky, and yet sometimes, like the sky, it would catch my attention until I stared and stared, marvelling at the intricacies and awestruck at the meaning.

I found my train of thought changing tracks, the passing scenery changing from a desolate landscape to a violent and thrashing storm whose wind and rain licked with the ferocity of whips. What was it like, Eddie? What was it like living another man's fantasy? What was it like to feel Dana Scully moving beneath you, above you, beside you? So what if he burned his arm to protect you, Scully. Self-immolation would be one of the lower echelon sacrifices I would make to protect you.

Direct hit! You've sunk your own battleship, I told myself. Wouldn't Captain William Scully be proud of you. I laughed at my own dry humor and turned off the T.V. It just wasn't friendly tonight. But then the silence was deafening. I've always liked that little oxymoron. "The silence is deafening."

How can silence be deafening? The same way closeness can push people apart. The same way magnets repel each other if one magnet flips the other one over in order to chase the little gray magnet from outer space. Or the little smoking magnet from the shadow government. Or go looking for it's little sister magnet who'd been missing for twenty-five years.

I couldn't take the silence anymore. Is that a symbol for anything else in my life, I asked, trying to distract myself by pretending I was still in one of my English lit classes. I got up and walked over to my stereo. It was covered in a thin layer of dust, not like I cared. I hated cleaning. When I was a child, it was a dream of mine to hang big fishing nets from the ceiling and just toss all my crap up there. Then I would use a long pole to knock stuff down when I needed it. I looked up at my ceiling. Some peeling paint, but no peace of mind. Guess what I needed wasn't up there. And even if it was, it wouldn't have mattered, because I don't have a long pole. Oops. Freudian slip.

I flipped through the CDs. My taste was apalling. When the hell did I buy a Michael Jackson album? I opened the cover up and transformed the disc into a frisbee, watching it turn light into rainbows as it glittered its way into the trash can. I returned to the CDs. The Cranberries? I didn't recall buying that. With a wave of recognition, I remembered Scully had brought it over a long time ago. Just knowing it was hers made my chest tighten. I had really screwed up. She had even given me a window of opportunity, a chance to not only redeem myself but to express myself. And I had stammered like a teenage boy searching for any excuse to give to the father of the girl I had taken home late with hickeys on her neck. Or metal implants in her neck. When had my every thought become connected with Scully?

About three minutes after you told her that you were the FBI's most unwanted, I answered myself as I put the CD into the stereo. I wiped the dust off the cover and glanced at the title. "Everybody else is doing it, so why can't we?"

Yeah, Scully. Why can't we?

Another Freudian slip, eh, Fox?

I just realized my mental soliloquoy was teeming with rhetorical questions. Maybe it was time I answered some of them.

I cued the CD and sat back down on the couch, grabbing some iced tea and a flashlight before doing so. I sipped the iced tea, made shadow puppets on the ceiling, and listened to the music. Scully's music. I listened to the entire album once before realizing how meloncholy the lyrics were. Even the songs that had peppy tunes had lyrics that made me want to cry. Funny. I was supposed to be the embittered one. I never thought Scully would be so tormented.

She's not, I told myself. She probably doesn't sulk at home reading the hidden meanings in things the way I do. I grabbed for a paper plate resting on the coffee table and put it in the beam. "UFO!" I mock-screamed, making the plate "fly" across the night sky/ceiling.

"Oh no! What's this?" I said, holding the flashlight between my knees as I stuck my left index finger into the beam. I made the "UFO" hover above my finger. "It looks like the UFO is tempting Fox Mulder with promises of the truth." I wiggled my finger. In a high voice I cried, "I'm Fox Mulder, and I am just a pawn in your games. I let you play with my mind."

I extened my left middle finger into the light. In my best pretend female voice, I said, "Hello, Fox, I'm Dana Scully. I'm here to let you ruin your life by ruining mine."

"Not now, Scully," my index finger said, "I have to ditch you in order to chase after something I can never catch. I know this is self-deprecating behavior which can end only in pain and torment for me and everyone close to me, but I don't care. It's a real UFO!"

"Mulder, it's a plate, not a UFO. Any logical person can see that," I said in my best Scully-trying-to-explain-the-unexplainable-because-for-some- reason-she-has-to-prove-me-wrong voice.

The UFO/plate edged closer to Fox/index finger. It landed on top of him. I tucked my index finger into my palm, and the UFO/plate floated away with its new passenger. Leaving Dana alone.

I realized that I was sitting on my couch with a flashlight between my knees and my middle finger pointed defiantly at the ceiling. At the sky beyond. At whoever could be watching from that sky.

"Yeah, fuck you!" I hissed.

Exhausted, I lowered my hand. I grabbed the remote and raised the volume letting my taxed but still functional mind find things where no one else would. I looked at the CD cover. I think it was in the middle of the first song. "I still do," according to the cover. I listened to the words.

Oh God. I was crying. It was like Scully was singing these words to me. How could I have been so blind? So willing to see where there was nothing that my eyes passed over what was obviously there? I should call her. Pick up the phone and tell her everything I have already told her a thousand times but she never heard because I had told her in my mind.

But I couldn't.

No. This catharsis was an event to be experienced alone. I couldn't go to her and beg her to let me back in. I wouldn't be able to handle it if she denied entrance. I was already bitter enough. No need to make me climb a clock tower and shoot inocent people with a rifle.

If I had my gun I just might have shot myself. But it was too far away, and there was no way I was dragging my sorry ass off this couch to go get it. Pigs wallowed in pens, and I wallowed on this couch. It was my turf, and I'd be damned if I let Dana Scully invade it.

I guess I'm going to hell.

Maybe I'll see Modell there.

Or my father.

We could form a softball team. Maybe play against Hitler and some of his stormtroopers. I've always wanted to whip his ass.

It's amazing that I have thoughts like these when I'm sober. I guess that's why I don't drink often. I'd start to think too much about the answer to Life, the Universe, and Everything.

Which, by the way, is 42.

Which, by the way, is my apartment number.

Which, by the way, is one of the reasons I moved into this place.

Halting my tribute to Douglas Adams, I got up and got some more iced tea.

*If there's an iced tea in that bag, it could be love.*

Why had I ever pushed her to go to Philladelphia? Why had I given her a means of escape? Why the hell had I ever gone to Graceland?

Why had I, why had I, why had I. God, I was whinier than Krycek. And this damn album kept the tears flowing. What a big strong man I was.

I was a damn wimp. Too scared to tell her after she woke up from her coma, to afraid to tell her after Modell, to frightened to tell her after Pfaster, to terrified to tell her now.

I needed her. It was beyond wanting. It was need. Before she had been taken, I had dismissed it as just physical. But those three months were like constantly walking on pins. No matter where I stepped, it still hurt. I couldn't run from the pain because running only made it worse.

Without her, I was no longer myself.

This is the way the world ends
Not with a bang but a whimper

Snipers were less accurate than the words of T.S. Eliot. My world had not ended with a fiery curse she had wrought upon me. She had not yelled, she had not screamed. She had not told me what an asshole I was. She had just looked up at me with those big blue eyes and spoke those two horrible sentences with a quiet always used by those who mean exactly what they say.

Her words haunted me again. I was going to have to exorcise them, sooner or later. I knew how, of course. The method was there. I just didn't know HOW. How I would bring myself to do it. The blueprints were drawn, but the architect was out to lunch.

*Not everything is about you, Mulder. This is my life.*

I wiped the tears from my face as I whispered the words that sadness had choked off in the basement of the J. Edgar Hoover building.

"Yeah, but it's mine too."

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Is anything really THE END...

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