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             Okay, I was thinking over the season so far this morning. I'm lightly 
              spoiled for the rest of the season but doing my best not to know 
              any more, and I won't refer to what little I've heard here (not 
              even for Seeing Red, which I 
              gather that about 90% of the board has already downloaded and seen, 
              since I haven't).  
            It's clear that they're bent on pursuing this ugly story to its 
              bitter end. I can see the reasons for that; it makes better drama 
              than a story in which everyone behaves like a charitable, sensible 
              human being. Putting in any cut-outs where people actually start 
              behaving decently for five seconds would eliminate the possibility 
              of ratcheting up to a truly intolerable climax. I can see all this. 
            So Buffy has to not only break things off with Spike, but deny 
              that she knows him, was ever a friend of his, ever fought with him, 
              ever turned to him for help. She has to forget every good thing 
              she ever knew about him and believe the stupidest things Xander 
              could possibly say about him. Xander has to believe every stupid 
              thing he can about Spike rather than confront his own inner fears. 
              And so on. 
            Their point is to drive their primary characters down to the absolute 
              rock-bottom worst those particular characters could ever be; to 
              break them, in order, one has to hope, to build them up again on 
              a less adolescent basis. And they did this partly for reasons involving 
              this stage of the Hero's Journey (I think), and partly to dramatize 
              the problems of early 20's at their very worst, and partly to show 
              the Dark Side of the Force. It's not just Willow, but all the Scoobs 
              who have a potential to become Darths. 
            And driving it to its ultimate conclusion instead of having any 
              of the characters wake up and behave decently for five seconds is, 
              I grant you, good drama. And I even think it's been well-executed. 
              The last couple of episodes have convinced me that the writers really 
              haven't dropped the ball. They're doing exactly what they want to 
              do with this season; destroy the characters. I derive some comfort 
              from the idea that this is all intended, and not the result of simple-minded 
              incompetence. 
            What keeps coming to my mind, however, is the phrase "they've gone 
              too far". 
            Earlier this season I kept hoping they'd stop the process in time 
              for the end of the season. Now I see that they're not going to; 
              that the point is to break the SG all the way down, and leave them 
              atomized, crushed, in no sense the characters we used to care about. 
              The story arc is down, down, down, down, down. They WANT to go too 
              far. They WANT to go so far that the characters aren't just damaged, 
              but completely broken. 
            So I can simultaneously see that for what they want to do, they're 
              doing it very well, and think, this was a bad creative decision. 
              It was a comic-book creative decision, to make the characters black 
              and white, and this year make the "heroes" cartoonishly dark. We 
              all know how much Joss likes comic books, and it does make for a 
              compelling story. 
            But I'm left with characters that even when my anger has passed, 
              I don't like or want to know about anymore. 
            I think ME has done what it set out to do, but has quite possibly 
              overestimated its ability to resurrect its characters after destroying 
              them. I'm sure they thought that they could destroy them, have them 
              learn their lessons, and then grow up painfully and learn from this 
              and be sadder, wiser people. And maybe they can. But I don't know 
              how many of us are going to hang on for the journey. 
            Because dramatically, it's a good story; emotionally, it's not. 
              I just saw Xander, whom I used to like, flat-out try to kill Spike, 
              beat him up when he knew he couldn't fight back, and be prevented 
              from actual murder only by lousy aim and by being stopped by Anya 
              and Buffy. Exactly how is he going to come back from that? In terms 
              of narrative, drama, etc etc, I'm sure ME can cause him to learn 
              the error of his ways, etc. But I'm not going to forget what he 
              did. And I'm not going to forget what Buffy's done either. 
            And I don't see how they could have so greatly overestimated their 
              ability to retrieve their creations. I think they may have gotten 
              so wrapped up in the story they're telling that they didn't consider 
              its emotional impact on an audience that doesn't get to participate 
              in the creative decisions. 
            Klytaimnestra 
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