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             I've had an epiphany  
            The more I think about Entropy and Seeing Red in terms of what's 
              happening with Spike, the more I think a whole mess of soul/redemption 
              anvils were lobbed our way during the two episodes. We just need 
              to recognize them. Please forgive me for the length of this post, 
              but laying out some of Spike's dialogue over the two episodes painted 
              such a clear picture for me that I wanted to share it.  
            One of Elsa's posts about what a huge thing Spike's remorse in 
              SR is got me to thinking, and I believe she's right. What happens 
              in Seeing Red is MAJOR. And I'm not talking about the attack. We're 
              shown a vampire who's experiencing overwhelming remorse for an evil 
              act. When have we ever seen that before? Only with Angel have we 
              seen a vampire tortured by images of what he's done. We've seen 
              Spike show plenty of emotion over the years, even regret and pain. 
              But--someone correct me if I'm wrong--only this year have we seen 
              him express guilt.  
            Several people commented on it at the time, but now I wonder if 
              the scene in Hell's Bells wasn't foreshadowing, a hint of the changes 
              taking place in Spike:  
              Buffy: It doesn't change anything, but if you're wildly curious. 
              Yeah, it hurts.  
              Spike: (instinctive) I'm sorry. (catching himself) I mean, *good* 
             
            His knee-jerk, instinctive response on being told he'd hurt Buffy 
              was regret (guilt?) -- I'm sorry. Since when does a soulless, conscienceless 
              demon care if his actions hurt someone?  
            Spring forward to Entropy and Seeing Red. In nearly every scene 
              in which he appears, the writers tell us over and over, through 
              Spike's words, that something has changed inside of him.  
            To Buffy, when confronted with the cameras: "You think I was spying 
              on you. You think I could do that?"  
              "Something happened to me. The way I feel. About you. It's different. 
              And no matter how hard you try to convince yourself it isn't, it's 
              real."  
            To Anya, when she laments that no one cares about her pain: "I 
              care. What he done to you? I'd never stoop that low. And I'm an 
              evil, soulless thing. According to some people." 
            When Dawn asks how he could hurt Buffy by sleeping with Anya: "Must 
              still be a bit of the evil left in me after all." His voice is shaded 
              with hurt and irony here. This comes shortly after his line "must 
              be true then." As Laura noted, the implication here is that though 
              he doesn't feel evil, everyone's saying it, so it must be true. 
             
            What's really interesting is what happens after Dawn says, "If 
              you wanted to hurt Buffy, congratulations, it worked."  
            The next time we see Spike, he's walking into Buffy's bathroom. 
              Why is he there? I do *not* believe it's because Dawn's words convinced 
              him he still has a shot with Buffy. I think that when he goes to 
              Buffy initially, he still believes that ship has sailed ("Not that 
              it matters anymore..."). I doubt it's consciously on his part, but 
              he goes to her because Dawn's words made him feel guilt, and he 
              needs to assuage it.  
            "This isn't just about you, so much as you'd like it to be." This 
              line is fascinating. I really doubt Spike understands intellectually 
              what's happening to him, but his words reveal that his apology to 
              Buffy isn't just to make her feel better. HE needs to do it, to 
              make HIMSELF feel better. Giles could have explained it to him: 
              "To forgive is an act of compassion, Buffy. It's not done because 
              people deserve it. It's done because they need it."  
            "I'm sorry. Not that it matters anymore, but I needed you to know 
              that.... Because I care about you." What a simple and very complex 
              thing this is. Spike's apology isn't made to "fix" things, or to 
              get Buffy back. It's made because he's hurting and feels it will 
              help and because he knows now that Buffy's hurting and he needs 
              her to know he's sorry.  
            Of course, the whole scene goes terribly wrong after that. The 
              intense pain he's been battling ("I wanted something. Anything to 
              make these feelings stop. I just wanted it to stop. ...You shoulda 
              let him kill me.") overwhelms him and that, coupled with Buffy's 
              admission that she cares about him, snaps him into a terrible, terrible 
              place. We all know what he nearly does.  
            And afterwards the guilt. We've talked about how tortured he is 
              in the scene with Clem. We recognize it as overpowering guilt, but 
              does he?  
            "What have I done? ... Why *didn't* I do it? ...What has she done 
              to me?"  
            Spike: "Why do I feel this way?"  
              Clem: (simply) "Love's a funny thing."  
              Spike: "Is that what this is?"  
            It's not love he's feeling here. Spike knows what love feels like. 
              It's the guilt he doesn't recognize, can't put a name to. "I can 
              feel it, squirming in my head. The chip. Gnawing bits and chunks." 
              The chip isn't causing this pain, but it's understandable that Spike 
              wouldn't recognize an emotion he's not supposed to have, one he 
              hasn't felt in over a hundred years. So it must be the chip. "It 
              isn't supposed to be this way. It's the chip. It won't let me be 
              a monster and I can't be a man. I'm nothing."  
            At the risk of repeating myself, this is huge. Try to imagine Angelus 
              or any other vampire in any of the scenes above. I don't know if 
              the writers would label it a soul or a conscience or what, but they 
              could hardly make it any clearer that a fundamental shift has happened 
              inside of Spike. Seeing Red is one huge, honkin' anvil. Spike is 
              not a remorseless demon. He's not a remorseless anything. 
             I'm positively giddy about where his story is going now. Even 
              if the writers, for whatever reason, decide to ensoul Spike or make 
              him human (please no), I realize now that I *did* get the story 
              I wanted. Spike evolved from a conscienceless demon to a being who 
              cannot bring himself to commit an evil act against someone he loves 
              and who feel enormous guilt even over the attempt. We *are* getting 
              the struggle of a soulless being to do good. This IS the Redemption 
              arc. Redemption is happening now! We're watching it unfold right 
              in front of us. Let's celebrate, people! And get ready for the next 
              step. 
            As Clem said, "You never know what's just around the corner. Things 
              change." I don't know what's coming up for Spike, but I'm very happy 
              on this ride.  
            --- 
            Cissy (3 May 2002) 
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