|
| Buffy Gallery | Angel Gallery | Buffy Multimedia | Angel Multimedia | News - REVAMPED |
| Sunnydale Town: Popular community forums. |
Angel Season IV Episode #84: "Shiny Happy People" Transcript
Written by Elizabeth Craft, Sarah Fain
Directed by Marita Grabiak
Co-Producers: Skip Schoolnik, Steven S. DeKnight- Consulting Producers: David Fury, David Greewalt, Tim Minear - Co-Executive Producer: Jeffrey Bell – Executive Producers: Joss Whedon, Sandy Gallin, Gail Berman, Fran Rubel Kuzui, Kaz Kuzui
Disclaimer: "Angel"; is (c) 2000 by the Twentieth Century Fox Film Corporation; "Angel"; is produced by Mutant Enemy, Inc., Greenwolf Corp, Kazui Enterprises, and Sandollar Television for Twentieth Century Fox Television.
Originally Aired on April 9th 2003
Prologue 1 INT. MEAT PACKING PLANT— NIGHT 1 JASMINE smiles beatifically down at CONNOR and ANGEL, then walks between them and picks up Cordelia’s cloak, slipping into it and covering her nakedness. JASMINE (smiles) It’s all so… ANGEL Unworthy. JASMINE Wonderful. She looks down at CORDELIA’s comatose body and kneels beside her. JASMINE Cordelia… thank you. For protecting me and nourishing me. Your spirit has been my shelter. But you can rest peacefully now. I’m here. CONNOR That’s all she wanted. To give you life. JASMINE And I can feel all of it. The cold floor, the air. This skin. Everything is perfect. Angel looks down, ashamed. ANGEL No, it’s not. I came here to kill you. ANGEL Shiny Happy People 4 He holds his sword out to Jasmine. ANGEL I should be punished. JASMINE Angel, I can feel your suffering. But now… (raises sword) that suffering is going to end. Angel closes his eyes and waits for the killing blow. After a moment, when it doesn’t come, he opens them to find Jasmine has disappeared. Opening credit sequence. Act I 2 INT. HYPERION HOTEL— OFFICE/LOBBY— NIGHT 2 FRED moves manically around the room gathering up the scattered books and cleaning up the office while LORNE sits calmly on the desk, watching her and sipping a Seabreeze. FRED I should have done this a long time ago. I don’t know what I was thinking, letting these books be all unorganized. LORNE Well, one does tend to let the housekeeping slide during an apocalypta-lite. Hey, honey, all this to’ing and fro’ing is making me edgy… er. A whining, grinding noise echoes through the hotel. Fred whirls around nervously. FRED What’s that? LORNE Oh, relax. It’s just the buzz saw. Nothing to get worked up over. It’s Gunn and Wes down in the basement. They’re dismembering that armor-plated demon Skip. FRED Oh, right. Well, there’s been an awful lot of dismembering going on in that basement lately if you ask me. ANGEL Shiny Happy People 5 LORNE Well, it’s been a busy month. FRED God, why did it have to be her? LORNE I think you skipped a groove, darlin’. FRED Cordelia. Why couldn’t the Beast’s master have chosen some horrible, evil, awful person to be its vessel? LORNE It wouldn’t have been much in the way of camouflage. FRED He’s been gone so long. LORNE You shifted gender pronouns, sweetheart. Not that I’m judging. FRED Angel. Do you think he found them? LORNE Them being? FRED Connor and Cordy. LORNE Well… FRED Maybe he got there too late and she already had it. LORNE And by “it” you must mean— FRED The baby or the hellspawn or whatever it is. Skip said the Beast’s master was using Cordelia to give birth to itself. What if Angel didn’t get there in time to stop it? Or worse, what if he did get there in time? Do you think he’d actually… you know… ANGEL Shiny Happy People 6 LORNE (nervous) Dismember mama? FRED Would Angel really kill Cordelia? LORNE (nods) To save the world? Fred slumps into a chair, dejected, then looks up as the front door opens. FRED Son of a bitch! Her eyes go cold and she grabs a dagger from the desktop, then charges out into the lobby. LORNE Okay, not that I was expecting a transition but still… He gets up and goes out into the lobby as well where he finds Fred holding Connor at the point of the dagger. FRED (re: Connor’s knife) Drop it, junior! LORNE Fred, don’t get too close! CONNOR Drop it? FRED You heard me. Drop the knife. ANGEL Shiny Happy People 7 CONNOR (perplexed) But you’re always after me to clean up after myself. I was just going to put it away. Fred hesitates and looks from Connor’s smiling face to Lorne, then back at Connor again. FRED Are you still evilish? ’Cause I’m confused. ANGEL (o.s.) Guys, it’s okay. He’s with me. They look behind them to find Angel standing next to where Cordelia lies sleeping on the sofa. Fred drops the dagger and runs over to her. FRED Oh, my god! Cordelia. She’s not… ANGEL No, she’s not dead. She’s just resting. She’s in a peaceful place. GUNN and WESLEY enter dressed in stained coveralls. Wesley checks Cordelia’s vital signs. FRED No, I meant… she’s not pregnant. ANGEL Oh, no, not anymore. WESLEY Then you were too late? The thing was born? LORNE I’m guessing it wasn’t a chubby little cherub, huh? ANGEL (smiles) Not exactly. GUNN But you killed it? It’s dead, right? ANGEL Well, I… I tried. I was going to. I just… ANGEL Shiny Happy People 8 He sits down on the stairs and puts his head in his hands. CONNOR You’ve got to stop torturing yourself, dad. (to others) He was like this all the way back in the car. WESLEY It escaped, then? ANGEL Disappeared. Didn’t even say goodbye. FRED Is that like baby evil? WESLEY I imagine we’re not talking about a baby. CONNOR No. GUNN Okay, so what are we dealing with? FRED Eight legs? Three heads? Horns? LORNE Hey! FRED No offense. CONNOR Two legs, one head, no horns. LORNE Let me guess… green? ANGEL No. Kind of… mocha. We need to find her. WESLEY Agreed. They both head for the weapons cabinet. ANGEL Shiny Happy People 9 GUNN Hope this thing’s easier to kill than the Beast. CONNOR Kill? No. No killing. GUNN Since when? ANGEL (smiles) Since we’ve all been saved. FRED Oh, well, that’s crazy talk. ANGEL (laughs; to Connor) They don’t understand. CONNOR No. ANGEL (to Wesley) We don’t want to kill her. We just want to find her… so we can worship her. That’s all. He takes the weapons from them and put them back in the cabinet. The others stare at Angel and Connor warily. CONNOR She’s amazing. You’ll go nuts. GUNN Yeah, that’ll definitely help us relate better. ANGEL Shiny Happy People 10 ANGEL When you meet her, you’ll understand. He smiles at them, a faraway look in his eye. WESLEY Angel, whatever you’re feeling right now, it’s some form of enchantment. ANGEL Yeah. WESLEY It’s a spell. Think. Even before its birth, this thing controlled Cordelia, caused her to do unspeakable things. It’s evil. Remember the rain of fire? Permanent midnight, all the horrors done in its name— JASMINE (o.s.) Must be rectified. Jasmine walks in through the front door and smiles at the group. Angel and Connor instantly drop to their knees before her. Lorne stares in wonder. LORNE My god… JASMINE People keep saying that. Fred is entranced. ANGEL Shiny Happy People 11 FRED I’m just going to… do this. And she drops to her knees as well. JASMINE For so long you’ve all been drowning in the fighting and the pain. Gunn kneels down before her as she descends the stairs. JASMINE I’d like to help. If you’ll have me. Wesley eagerly kneels at her feet. WESLEY Tell us what to do. CUT TO: 3 INT. HYPERION HOTEL— CORDELIA’S ROOM— NIGHT 3 Gunn lights candles while the others tend to Cordelia, who lies sleeping in her bed. Jasmine watches, satisfied. LORNE (re: Cordelia) Eternal bliss. It suits her. FRED Cordelia must be so happy to be the one who brought you here. What an honor. ANGEL Shiny Happy People 12 JASMINE I’m the one who’s honored. By Cordelia… and by all of you. I can’t tell you how good it is to be back. She sits on the edge of Cordelia’s bed and everyone gathers around, sitting in various chairs and on the floor in front of her. WESLEY Back? Then you’ve been here before? JASMINE Yes. In the beginning, before the time of man, great beings walked the earth. Untold power emanated from all quarters: the seeds of what would come to be known as good and evil. But the shadows stretched and became darkness and the malevolent among us grew stronger. The earth became a demon realm. Those of us who had the will to resist left this place but we remained ever watchful. GUNN You’re a Power That… Was? JASMINE (smiles) But then something new emerged from deep inside the earth— neither demon nor god. WESLEY Man. JASMINE (nods) And it seemed, for a time, that through this new race, a balance might be restored. FRED I guess we really let you down. JASMINE But you didn’t. It was we who failed you. We became little more than observers. I could no longer bear to just watch. All the suffering… I had to find a way back. But first, I needed a miracle. She lays her hand on Connor’s cheek. ANGEL Shiny Happy People 13 JASMINE And so I arranged one. Through you, Angel. Through Darla. That is where my parentage began. Two vampires— creatures once human, corrupted by darkness— and you with a soul. A miracle already. ANGEL But how? JASMINE Through Lorne. LORNE Huh? JASMINE The day Lorne sent Angel and human Darla into the trials to earn a new chance at life. ANGEL I failed. JASMINE No, you earned that life and there it is. (points at Connor) All these events unfolded that I might re-enter this physical plane. I know there’s been chaos. WESLEY All the events we’ve witnessed these past months, all the madness… it was birth pains. JASMINE But the storm has passed. LORNE And here comes the sun. ANGEL Shiny Happy People 14 ANGEL And Cordelia? Will she wake up? JASMINE If we take hold of the world, strip away the thorns, win the battle, then yes, I think she will. FRED How do we do that? JASMINE One evil at a time. Much damage has been done in my name. There are demons— forces of hate— all over this city. FRED We’re going to destroy them. JASMINE We’re going to change the world. ANGEL (smiles) Finally. CUT TO: 4 INT. BOWLING ALLEY— NIGHT 4 A vampire holds a severed human head in his hands like a bowling ball and lines up his shot. He rolls the head down the lane but it misses the pins altogether. VAMPIRE #1 Aw, that ain’t gonna work. He looks back up the lane at his friends, a group of about fifteen vampires, all lounging around and carousing. VAMPIRE #2 Could have told you that. Now clean up my lane, jackass. The first vampire stalks down to the end of the lane and picks up the head. ANGEL Shiny Happy People 15 VAMPIRE #1 “Let’s go to L.A.,” you said. “Sun’s gone out,” you said. “Gonna be the feast of the century.” But the sun is back and here we are wasting our time. Bowling. VAMPIRE #2 I’m telling you, something big is coming and when it gets here, we’re going to be in prime position for— ANGEL (o.s.) An ass whuppin’? The vampires turn around to find Angel and his crew, along with Jasmine, standing in the door. They charge the vampires, blades and weapons swinging and finding their marks. Jasmine circles the melee, keeping her distance from the fighting, guarded by Fred who has a crossbow ready to fire. Jasmine motions to one of the benches. JASMINE Sit with me. FRED Do you think we should? JASMINE We have nothing to fear. FRED Umm… okay. They sit down and watch the battle raging all around them. ANGEL Shiny Happy People 16 JASMINE Now what are we going to call me? FRED You don’t have a name. JASMINE No. FRED You should have a name. JASMINE (laughs) Yes. FRED I don’t know… I can’t imagine one word summing you up. I mean, you’re a superior being. Shouldn’t you… don’t you want to choose it yourself? JASMINE No one born to this earth can choose their own name. They’re named by those who love them. There are some rules even I must follow. Suddenly one of the vampires breaks free from Angel and attacks Jasmine before Fred can raise the crossbow. The vampire sinks its claws into her arm before Angel is able to yank him off of her. Fred kneels before Jasmine, examining the wound, stricken with anguish. FRED I’m so sorry! It’s all my fault. JASMINE I’ll be fine. You tried to caution me. I should have listened. Angel hurls one vampire into the bowling alley’s cement wall while the vampire that attacked Jasmine runs back behind the lanes and into the nest of shadows among the pin-setting machinery. Angel sees him go and gives chase. ANGEL Hey! You hurt her, you scum. The vampire runs across the back of the bowling alley and out the emergency fire door. ANGEL Shiny Happy People 17 5 EXT. LOS ANGELES STREETS— OUTDOOR CAFE— NIGHT 5 Angel chases the vampire out into the night and through an outdoor café next door. The vampire, looks behind him, terrified and runs right into one of the patrons, JOHN STOLER, and they both tumble to the ground. Angel leaps on the vampire and yanks the creature to its feet just as Connor rounds the corner and tosses Angel a stake. CONNOR Dad! Angel catches it and slams it through the vampire’s chest. The creature disintegrates to the shocked and stunned amazement of the café’s customers. Angel looks around at the frightened people surrounding him as the rest of the crew arrives with Jasmine. ANGEL It’s all right. It’s over. You’re safe now. WOMAN What— (sees Jasmine) Oh… She drops to her knees in awe and when everyone else in the café sees Jasmine, they do the same. JASMINE Everyone, please, stand up. If you wish to honor me, honor each other. We are all one. MAN You’re hurt. JASMINE I’ll be all right. Everything will be all right. MARGARET, a pretty blonde girl, stares up at Jasmine, enraptured. MARGARET All my life… so empty. That’s over now, isn’t it? JASMINE Yes, Margaret. It’s over. I know you. I know you all. I’ve come here for you, to bring you the gift of peace. You will be free from the pains you’ve suffered. Behind them, John Stoler stands gets to his feet and makes his way through the crowd, a look of horror on his face as he stares at Jasmine. ANGEL Shiny Happy People 18 JASMINE The world will change forever and you will know the power of my love. The chaos will fade and harmony will reign. Stoler picks up a knife from one of the café tables and raises it. STOLER Monster… it has to die! Stoler charges Jasmine with the knife but Angel’s face goes feral and he intercepts him. He throws Stoler to the ground and pounds him, punching him over and over. FADE OUT Act II 6 EXT. LOS ANGELES STREETS— OUTDOOR CAFE— NIGHT 6 Resume. Angel beats Stoler mercilessly. Finally, Jasmine steps in and stops him. JASMINE Angel, that’s enough. Stoler lies on his back, his face bloody, sobbing. STOLER Don’t you see it? Jasmine steps forward and looks down at him. She extends her hand toward his bloody face. ANGEL Shiny Happy People 19 STOLER No, don’t you touch me! She caresses his cheek. JASMINE Poor thing. (beat) Wesley? WESLEY I’ll call an ambulance. Jasmine turns and addresses the crowd. JASMINE All of you… so loving, so strong. How can I ask you to understand that a man like this, so full of fear, anger, so alone… he will always be alone. But we have found each other. The crowd nods appreciatively and smiles, caught in her spell. CUT TO: 7 INT. HYPERION HOTEL— LOBBY— NIGHT 7 Gunn and Wesley clean their weapons and stare at Jasmine lovingly. She sits across the room on the settee, holding a bandage to her injured arm. GUNN What about Helen? WESLEY Helen… GUNN That’s got a ring. WESLEY Yes, it does. However something along the lines of Dianthia or Iphigenia… GUNN Those are some long lines. WESLEY …or Aristophila, which means— JASMINE Supreme lover of mankind. That’s lovely. ANGEL Shiny Happy People 20 GUNN Well, Helen was my grandma’s name. JASMINE Helen is beautiful as well. WESLEY All right, what about— FRED (o.s.) Clorox. She walks down the stairs holding Jasmine’s torn shirt. GUNN Clorox… she bleaches away the hate. WESLEY Probably best we avoid brand names. FRED No, I meant this shirt. (to Jasmine) I know I can get this stain out. JASMINE It’s not important, Fred. FRED (anxious) No, it is. I can make it good as new again. JASMINE There’s really no need. It’s just a shirt. ANGEL Shiny Happy People 21 FRED But it’s yours and it was on you, on your holy body-ness. And it’s my fault you were attacked. JASMINE Nonsense. There is no fault. It was a new and vivid experience. To be able to bleed, feel things, anything, even pain, is a gift. You people take your senses for granted. FRED Club soda! She suddenly bolts from the room with the shirt. GUNN May as well let her do her thing. WESLEY Yes, Fred can be quite single-minded when she’s focused on a problem. GUNN (laughs) Yeah. JASMINE You love her very much. Both of you. Don’t you see? You both have the same love. It should bring you closer together, not drive you apart. Gunn and Wesley nod and exchange a look of understanding as Connor enters and approaches Jasmine. CONNOR I’m sorry you were hurt. She lifts the bandage and checks her wound. It’s completely healed. CONNOR But there was so much blood. JASMINE I heal quickly. It must be a benefit of being a former Power, I guess. CONNOR What was wrong with that man? Why did he want to hurt you? ANGEL Shiny Happy People 22 She seems momentarily troubled. JASMINE I’m not sure. Some people can’t accept change. It scares them. And that fear becomes hatred and they take that hatred out on others. Or sometimes… on themselves. CUT TO: 8 EXT. HYPERION HOTEL— SOLARIUM— NIGHT 8 Jasmine walks out into the garden where Angel sits, staring silently into the night. JASMINE That fragrance… it’s lovely. What is it? ANGEL Must be the jasmine. JASMINE (sniffs) Mmm… night blooming. So beautiful. So lonely. Like you. ANGEL I shamed you. JASMINE No. ANGEL I did. I almost killed that man. I think I would have if— JASMINE Angel, you were only trying to protect me. There can be no shame in that. ANGEL I don’t want to fail you again. JASMINE Then don’t. ANGEL It’s not that simple. JASMINE Why isn’t it? ANGEL Shiny Happy People 23 ANGEL Because of what I’m feeling. JASMINE You must let go of your anger toward that poor soul. ANGEL No, not anger. Happiness. I’m so happy that you’re here. JASMINE And that’s a problem? ANGEL For me, yes. If I get too happy, if I allow myself to feel what I’m feeling, Angelus might… JASMINE I know. But soon, none of that will matter. Evil will be banished by the deeds we will do, Angel. Even the evil that’s inside of you. That too will be gone and all that will be left is the beauty. ANGEL Eradicate all evil? JASMINE Yes. ANGEL Is that even possible? We’ve been fighting for so long. JASMINE I know. I’ve seen it all. It’s why I’ve come back. You are my general. I have faith in you. ANGEL (surprised) You have faith… in me? JASMINE (smiles) I have faith in all my warriors. Angel follows her gaze to the balcony where Gunn, Wesley, Connor and Fred stand watching. JASMINE Each and every one of you. You are all up to the task. ANGEL Shiny Happy People 24 CUT TO: 9 INT. WAREHOUSE— NIGHT 9 The door slides open and Angel and his crew charge inside, weapons raised. The vampires inside don’t stand a chance against them. They’re not just fighting vampires and demons, they’re true believers on a crusade. JASMINE (v.o.) You’re not alone anymore. I will be with you everywhere you go. I’ll be at your side, guiding your hands, giving you strength. With my help, there will be no doubt… no worry… no fear… for you will know you cannot be beaten CUT TO: 10 INT. HYPERION HOTEL— FRED’S ROOM— NIGHT 10 Fred stands before the sink, scrubbing Jasmine’s shirt. She’s frantic, desperate to get the stain out. CUT TO: 11 INT. HYPERION HOTEL— LOBBY— DAY 11 Angel and his crew watch as the results of their work are reported on the local news. NEWSCASTER After several weeks of skyrocketing homicide rates, finally this week, a dramatic decrease in Southland murders. The Sheriff’s Department spokesman attributes the drop to their new “tough on crime” policy instituted last month… Angel clicks off the TV. ANGEL A little credit for the “divinity behind the scenes” policy wouldn’t suck. JASMINE It’s not important who gets the credit. What matters is that we’re winning. WESLEY If we keep going at this rate… ANGEL Shiny Happy People 25 GUNN …L.A.’s going to be one big fat no-demon zone. Hello, garden city. ANGEL (to Jasmine) You never doubted us. Not for a second. JASMINE There’s no room for doubt, Angel. Only love. Lorne comes down the stairs into the lobby. CONNOR Hey, we made the news. Dramatic decrease in Southland murders this week. LORNE Well, hey! So much for that nagging apocalypse. (to Jasmine) But hey, speaking of dramatic, I’ve got a smidge of a surprise for you. Upstairs. JASMINE (laughs) Surprises. They’re one of my favorite things about being human. She takes his arm as he leads her up the stairs. Angel and the others watch them go, smiling dreamily. ANGEL Isn’t she… CONNOR Yeah. ANGEL Shiny Happy People 26 GUNN A miracle. Fred enters, holding up a shirt. FRED Well, I tried. What do you think? WESLEY It looks brand new. Fred starts to cry. FRED It is. I bought a new one. Wesley stares at her puzzled as she sits down on the steps and sobs. WESLEY Even better. FRED I know. ANGEL Well, what’s the matter? She’ll love it. FRED I know but she’s not here. GUNN She’s just upstairs. FRED Yes, but when she’s not around… I hurt. ANGEL Shiny Happy People 27 Gunn nods in understanding. CUT TO: 12 INT. HYPERION HOTEL— JASMINE’S ROOM— DAY 12 Lorne opens the door and leads Jasmine into a fully-furnished and decorated suite in the hotel. JASMINE Oh, Lorne! LORNE It’s… too diva, isn’t it? Diva, deity… it’s a thin line. JASMINE It’s lovely. There’s that wonderful smell again. Jasmine. Oh, really, Lorne, it’s more than I could ask for. LORNE Oh, well, I’m as tickled as… someone so tickled they’re out of similes. I’ll let you have your privacy. JASMINE Thank you again, Lorne. He smiles happily, then turns and walks out. JASMINE You’re troubled. She turns to the door just as Connor walks past. He stops and hesitates. JASMINE Come in, Connor. Tell me what’s bothering you. CONNOR I… I can’t. JASMINE Of course you can. You can tell me anything. CONNOR Cordelia used to say that to me. It’s just… having you here, I finally know why I was created. For you. To help bring you here. JASMINE That and so much more. ANGEL Shiny Happy People 28 CONNOR But I don’t deserve… I shouldn’t be so happy. I’ve done things. I betrayed my dad, hurt people… JASMINE I know all of it. I’ve watched you— not just these past days but all your life and before. Connor, you deserve all the happiness I can bring you. He looks at her for a beat, then smiles tentatively. CONNOR Why me? JASMINE I needed a unique soul to help create me. Yours. Even before you were born, I chose you to be my father. And now we’re going to transform the world. CONNOR But my father… he’s the champion. JASMINE Everything has its season. It’s your time, Connor. Your destiny. Connor nods. He likes what he’s hearing. Then Fred enters, flustered and nervous, holding the shirt she bought up for Jasmine to inspect. FRED Hi. I know it’s not the exact same shirt but it’s pretty close. I scrubbed the other one till my fingers bled but I couldn’t get out the… She looks up at Jasmine but instead of seeing a beautiful woman, she sees a rotting corpse crawling with maggots. Fred recoils in horror, terrified. ANGEL Shiny Happy People 29 FRED (gasps) …blood. FADE OUT Act III 13 INT. HYPERION HOTEL— JASMINE’S ROOM— DAY 13 Resume. Fred stares in revulsion at Jasmine as maggots and worms squirm in the rotting flesh of her face and twist in her empty eye sockets. When she speaks, the vermin drop out of her mouth onto the floor. No one else seems to notice anything’s wrong. To them Jasmine is still the beautiful and radiant woman she’s always been. JASMINE Fred? Is something wrong? She puts her hands over her eyes and starts sobbing. FRED I… I’m sorry. CONNOR I’ll get her some water. He stands up and heads for the door but Fred grabs him. FRED No, don’t! I mean, I’ll be fine. Gunn, Lorne and Wesley come in response to all the commotion. GUNN Sounds like someone’s… LORNE What’s all the booin’ and hooin’, sweet pea? WESLEY Fred, there’s no reason to cry. She’s right there. Fred forces herself to look at Jasmine and pretend like nothing’s wrong. ANGEL Shiny Happy People 30 FRED I… I know… I just… started thinking about what it would be like if you weren’t here and… I guess I kind of lost it. JASMINE (smiles) I’m not going anywhere, Fred. You can trust in that. Fred starts edging toward the door. FRED I think… I think I just need some time alone to… you know, count my blessings ’cause there’s so many and it’s good to… take stock. She bursts into tears again and walks out, handing off the shirt to Wesley as she goes. They watch her go, puzzled. CUT TO: 14 INT. HYPERION HOTEL— CORDELIA’S ROOM— DAY 14 Fred sits next to Cordelia’s bed, looking down at her as she sleeps. FRED Cordelia? It’s me. I’m here. Hello? Remember before the big brain suck, when Lorne read you and it was all scary, headachy, pukiness? Well, what if that’s all true? Only worse, ’cause we don’t even know to fight back, not even Angel. Cordelia, I wish you could— ANGEL (o.s.) I know what you’re thinking. She turns to find Angel standing in the doorway. FRED (wary) You do? ANGEL Sometimes when I look in her eyes, I’ve seen it, too. It’s overwhelming. The lies, the deceit… Fred sighs, relieved. ANGEL …it just melts away. Nothing left but the beauty. ANGEL Shiny Happy People 31 FRED (covers) Yeah. It’s… incredible. Angel looks down at Cordelia. ANGEL I can’t believe I almost… (sighs) Seems like a lifetime ago. FRED It’s all so different from what we expected. ANGEL Big hideous evil trying to end the world? Nice to be wrong. FRED Yeah, and now that she’s here, everything just… seems so easy. ANGEL I know. Feels like a dream. FRED But have you noticed how we all just kind of… do what she says? Don’t ask questions? ANGEL Isn’t it a relief? The constant questioning… it’s finally over. Fred nods and smiles, realizing she’s not going to get through to Angel. CUT TO: ANGEL Shiny Happy People 32 15 INT. CEDAR SINAI HOSPITAL— CORRIDOR— NIGHT 15 Fred rushes through the crowded hallways of the ER and approaches the reception desk FRED (nervous) Hi. Yes, I’m looking for a patient. A man. He was brought in Thursday, name’s Stover. MARTHA JANE, the on-call nurse, looks at her skeptically. MARTHA JANE Are you a family member? FRED Am I… yes! I have a family. I’m a member. (off her look) He’s my brother… father… my father’s brother. MARTHA JANE I have a Stoler… FRED (agitated) Half-brother… uncle… half-uncle. Stoler! That’s it. Please. I need to know if he’s all right. The nurse stares at her for a moment, then smiles and nods. MARTHA JANE Dr. Koelsch treated him. FRED Is he still here? MARTHA JANE He was transferred to… oh. She reacts in surprise at the information on the computer monitor. CUT TO: 16 INT. CEDAR SINAI HOSPITAL— PSYCH WING— NIGHT 16 Fred enters the psychiatric wing of the hospital but finds the door to the ward locked with an electronic keypad. As she examines it closely, trying to find a way past it, the door opens from the other side. Fred ducks out of sight, as a nurse exits the ward, then quickly catches the door before it closes and ducks inside. ANGEL Shiny Happy People 33 CUT TO: 17 INT. CEDAR SINAI HOSPITAL— STOLER’S ROOM— NIGHT 17 Fred enters the dark room. The only light comes from an x-ray viewer hanging on the wall. Stoler lies in bed, facing away from her, his arms and legs in restraints. FRED John? John Stoler? STOLER Go away. FRED John, I have to ask you… do you have a history of mental… what I mean to ask is… have you been in this particular ward before? STOLER You mean am I crazy? FRED Well, were you before Thursday? STOLER Leave me alone. FRED I don’t think you’re crazy. I think I know what happened. I think I know what you saw because I saw it, too. The woman you attacked— STOLER Not a woman. FRED Her face… it’s horrible, isn’t it? Decay, blood, things living there. STOLER You did see it. FRED Yes. STOLER Did it touch you? ANGEL Shiny Happy People 34 FRED What? He turns toward her, revealing his face. The entire left side where Jasmine caressed him is twisted and deformed, as if the skin has melted like candle wax. His eye is gone, a useless socket. STOLER Don’t let it touch you. FRED (horrified) She… she did that to you? STOLER Untie me, please. I have to get out of here. I have to finish it. FRED Finish what? STOLER She has to die. We have to kill it. FRED We? No. I mean, maybe but… no. STOLER You said you saw it. FRED I did! STOLER Then you’ve been called, too. ANGEL Shiny Happy People 35 FRED Called? STOLER Called to the mission. FRED Called… no. I don’t get called. I’m not the called type. I take messages for my boss. He gets called. Called? STOLER It’s our duty. Others won’t see. FRED You’re wrong. If what we saw is true, there are people who will understand, who will help. Stoler sits up and stares at her. STOLER You’ve been called. FRED No, like I said— Her cell phone rings and she takes it out of her pocket. FRED Okay, that’s just eerie. It’s Angel. They’re probably wondering where I am. STOLER You have to do it. FRED I have to go. Thank you for your time. I’m sorry to have disturbed you. STOLER Don’t trust her. Don’t trust anyone! CUT TO: 18 EXT. HYPERION HOTEL— NIGHT 18 As Fred makes her way through the outer courtyard, a couple of giggling girls run past her and up the front stairs into the hotel. ANGEL Shiny Happy People 36 GIRL #1 I’ve never seen you like this. GIRL #2 I’m telling you, you have to meet her! Come on. CUT TO: 19 INT. HYPERION HOTEL— LOBBY— NIGHT 19 Fred enters to find the lobby crowded with dozens of people, all milling about and talking amongst themselves excitedly. Lorne makes his way among them, falling back into his role as host. LORNE (to man) We are just excited head-over-teakettle about this entire event. I just can’t even believe— He looks up and spots Fred and rushes over to her. LORNE Hey, hey, hey, pumpkin! Where you been? FRED Out. What happened? LORNE She went out for a walk. It was like A Hard Day’s Night. Everybody followed her back. Isn’t it fabulous? (to woman) Oh, hey, hey! (to Fred) Excuse me, darlin’. He moves off and Fred makes a beeline for Wesley. WESLEY Can you believe this? (off her look) What is it? FRED I… I need you. He pulls her to the side where they can talk privately. FRED If I told you something, you know, that maybe you didn’t want to know even, you’d trust me, right? WESLEY Of course. ANGEL Shiny Happy People 37 FRED I… went to see that man. From the restaurant. The one who— WESLEY The attacker? Why? FRED That’s what I wanted to know. Why he would do that. Wesley, he saw something (beat) We both saw something. I needed to know if it was the same something. WESLEY And? FRED It was. Wesley, I know you’re going to find this hard to accept but… CUT TO: The upstairs balcony. Gunn looks down and sees Wesley and Fred engaged in an intense conversation. CUT TO: Back to Wesley and Fred. WESLEY Rotting flesh? Really? FRED You don’t believe me. ANGEL Shiny Happy People 38 WESLEY (hesitant) If you say you saw it, I believe you. FRED (relieved) He told me not to tell anyone but I knew if I came to you— WESLEY You did the right thing. The lobby suddenly fills with applause as Jasmine enters flanked by Angel and Connor. They stride across the upper balcony, then stop and look down on the crowd below. Fred looks back at Wesley, anxious. FRED You’ll help me? WESLEY Of course I’ll help you. Wait here. He moves off, heading for the stairs. She watches as he meets Gunn halfway and whispers something to him. They both turn and stare coldly at her, then Wesley continues on up toward Angel and Connor while Gunn circles the perimeter of the crowd toward Lorne. Fred backs slowly toward the weapons cabinet as Wesley whispers to Angel and Jasmine and Gunn does the same for Lorne. Lorne turns around, his eyes searching Fred out among the crowd, hatred on his face. She opens the cabinet doors, slips a dagger into her pocket, then quickly loads a crossbow. She spins around, crossbow raised and aimed directly at Jasmine. ANGEL Shiny Happy People 39 FRED I’m sorry. Her finger tightens on the trigger. FADE OUT Act IV 20 INT. HYPERION HOTEL— LOBBY— NIGHT 20 As the crossbow bolt shoots across the lobby, Angel leaps over the railing and takes it in the shoulder. He crashes to the lobby floor, followed by Connor who helps him up. Lorne stalks over to Fred, furious. LORNE Fred! Are you crazy? I mean— Fred! She whips out the dagger, flips Lorne around and holds the knife to his throat, staring at Angel, Wesley and Connor who stop in their tracks. FRED Don’t come near me! ANGEL Put down the knife, Fred. FRED I’ll kill him! GUNN You don’t know what you’re doing. ANGEL Shiny Happy People 40 FRED I’ll kill him, Charles! LORNE Easy, kiddo, huh? JASMINE There’s nowhere you can go, Fred. My love will follow you everywhere. Fred pushes Lorne down the steps and into Angel, then bolts out the front door. Angel catches Lorne, then starts to head after her but Jasmine stops him. JASMINE Let her go. Now is not the time. We are all gathered here in peace. Let’s not let her take that away from us. CUT TO: 21 EXT. LOS ANGELES STREETS— NIGHT 21 Fred drives through the dark, alone. She pulls over to the side of the road and stares out the window before breaking down in tears. CUT TO: 22 INT. HYPERION HOTEL— OFFICE— NIGHT 22 The crowd is gone. Just Angel’s crew and Jasmine remain. WESLEY I can’t believe Fred’s evil. GUNN Should have seen it coming. ANGEL Shiny Happy People 41 LORNE Nothing like a homicidal maniac to put a damper on an impromptu spiritual gathering. JASMINE What they saw tonight… it’s not what I would have wanted. But now they all understand the reality of what hatred can do to a person. Angel enters with a bouquet of jasmine. ANGEL The reality is we need to find Fred. JASMINE Thank you, Angel. The scent, it soothes me. ANGEL If we leave now, Connor and I can probably still track her. JASMINE I know you’re all in pain. You trusted Fred and she betrayed you. GUNN Forget us. She tried to kill you. JASMINE And the sadness that brings me is immeasurable. LORNE I should have just let her cut my head off. (off her look) My species… decapitation loophole. CONNOR She still might have stabbed you, let you bleed to death. ANGEL Why didn’t I see it? JASMINE Angel, none of us did. You can’t blame yourself. ANGEL She was acting weird earlier but I just thought it was Fred being Fred. ANGEL Shiny Happy People 42 WESLEY That man at the hospital… I’m still shocked she would go and see him. GUNN Once he had her there, he must have monkeyed with her brain somehow. CONNOR Maybe he made her do it, with magick or something. JASMINE I doubt even Fred understands why she’s so determined to destroy everything we’re trying to create. Which makes her even more dangerous. ANGEL We have to kill her. There’s no other way. WESLEY As long as she’s out there, she’s a threat. JASMINE It may come to that but first we have to try to help her, get to the root of the hatred that’s infected her heart. ANGEL The only way to do that is to bring her home. Let’s go. He stands up and the others move to follow him but Jasmine stops them. JASMINE No. We’ll find Fred but not tonight. Tomorrow will be easier than today. We’ll have eyes everywhere. CUT TO: ANGEL Shiny Happy People 43 23 INT. CITY DINER— MORNING 23 Fred sits at the counter watching TV as the FRY COOK slides a plate of eggs and bacon in front of her. COOK Here you go. Looks like you just lost your best friend. FRED All of them. I never thought— COOK Yeah, well, that’s life in the big city. He tears off her ticket and slides it across the counter, then goes back to the grill. Fred eats her food while the TV plays a morning news show called Good Morning L.A. TRISH (on TV) Welcome back. Chef Arnold Michske will join us later but right now, we have the most amazing surprise. Please join me in welcoming a very special visitor… Jasmine! JASMINE (on TV) Good morning, Los Angeles. Thank you for inviting me. This is a special day. At the sound of Jasmine’s voice, Fred looks up at the TV in shock. TRISH (on TV) We want to know everything about you. Start at the beginning. JASMINE (on TV) Trish, in the beginning, before the time of man, great beings walked the earth. Untold power emanated from all quarters: the seeds of what would come to be known as good and evil. Yet there was a balance. But the shadows stretched and became darkness and the malevolent among us grew stronger… Fred looks around her to find everyone in the diner kneeling on the floor, expressions of enraptured bliss on their faces as they watch Jasmine on ANGEL Shiny Happy People 44 the TV. She gets shakily to her feet and walks quietly out of the diner unnoticed by the enthralled customers. Fred walks out onto the street and makes her way alone into the heart of the city. FADE TO BLACK END |