PROLOGUE:
1 INT. SCIENCE LABORATORY - NIGHT Fred is walking down the hall 
toward the laboratory alone. As she rounds the corner, the camera goes 
through the wall and enters the lab. A man walks out of the lab as Fred 
walks in.

FRED Oh! Good night.
MAN Good night.
Fred stands by a lab desk reading papers in her file when she senses 
something or someone behind her. Startled, she gasps and turns to see, but 
there's no one there. When she turns back around, she sees Spike standing 
right in front of her. Fred lets out a little scream and drops her 
papers.

SPIKE (seems defeated) How long did you know I was 
there? (turns around)
FRED Uh, just since the lobby. But that popping up behind 
me was really scary. Look, I dropped my papers. (picks them up)
SPIKE Nice touch.
FRED Thanks.
SPIKE I'd give you a hand with that, but... (runs his 
hand right through some science equipment)
FRED Still no interaction?
SPIKE Not a twinge. Can't spirit the knickknacks about. 
Can't willie the locals. Bloody sad ghost I turned out.
FRED I've told you before you're not a ghost.
SPIKE Chipper. Give us a hug. (holds out his arms)
FRED You know what I mean. You're more than a common 
spectral disturbance. I've never seen anything like you.(scans 
Spike with a beeping instrument)
SPIKE Bet you say that to all the spirits.
FRED Oh, your radiant heat signature's dropped another 
.02 degrees.
SPIKE Thought it was a bit nippy.
FRED Is everything...are you...
SPIKE (crosses his arms) Feeling the tug of eternal 
damnation? Maybe that's why I can't touch anything. Using all my 
mentalies just to keep from slipping into hell.
FRED I won't let that happen. I've been working on a 
theory. Well, more of a hunch, actually, but I think I'm getting 
close.
SPIKE To making me a real boy again?
FRED Heh. As real as a vampire with a soul can be. It 
won't be like Angel's thing with the prophecy, but...
SPIKE What prophecy?
FRED The shan-shoe-ha something or 'nother. Says that if 
Angel helps enough people, he gets to be human again.
SPIKE Oh. Really.(nods) Goody for him.
FRED Ah! That totally makes sense.
SPIKE What does?
FRED The fluctuations in your readings. Lack of particle 
cohesion. It's almost as if your essence is straddling a dimensional 
void, which may be the key, assuming that the amulet you used to save 
the world is some sort of trans-reality amplifier capable of focusing 
massive quantities of mystical energy.
SPIKE And what in the King's English does that mean to 
the dearly almost departed? 
FRED It means that if I can defy most of the laws of 
nature, there's a good chance I'll be able to anchor you to this plane 
and make you corporeal.
SPIKE (smiles sweetly) Well... might be a hug in your 
future after all. (tries to lean on the nearby lab desk, but falls 
through and disappears)
FRED Spike?
Cut to:
2 INT. BASEMENT - NIGHT Spike fell through the floors all the way 
to the basement, landing flat on his face. 

SPIKE (laughs)Brilliant.
Spike stands, notices a repetitive chopping sound nearby, and walks 
down the hall toward it. There's a man at the end of the hall, sitting at 
a table, chopping something with his back to Spike. 

SPIKE Don't mean to interrupt the sitting in the dark 
basement, mate, but could you point the quickest way back to the lab? 
As the ghost flies— 
As Spike walks closer to the man at the table, he can see that the 
man is chopping off his fingers one by one. The man turns to face Spike, 
and reveals his lipless cut-up face with gashes all over his eyes and 
cheeks. Spike does a double-take and the man at the table has 
disappeared.

SPIKE Take that as a "no," 
then.
Fade to black.
Opening credits.

ACT I:
3 INT. HALLWAY - NIGHT Lorne's walking down the hallway talking on 
his cell phone.

LORNE Bubie, I negotiated that deal with my own 2 horns. 
Second billing right after gwyneth. Yeah. No, stop crying, stop 
crying. It's OK you put on a couple of pounds since casting. Yeah, 
they can't just—(waves to Fred who walks past him) No, no, no, 
no. Just put the pills down. I'll straighten this out. If I can't, 
I'll take a handful myself. (gets on the 
elevator)
Cut to:
4 INT. WESLEY'S OFFICE - NIGHT Fred walks into Wesley's office, 
rips off a piece of paper from her notepad, and places the paper on Wes's 
desk in front of him.

FRED I need these as soon as possible. (turns to walk 
out of the room)
WESLEY Hello, Wesley. Nice to see you.
FRED (turns back to face Wesley) Oh. Sorry. Little 
preoccupied. 
WESLEY (reads from the paper) The Magdalene 
Grimoire, Necronomicon des Mortes, Hochstadter's 
Treatise on Fractal Geometry in 12-dimensional Space. 
"Preoccupied" might not be the word we're looking for.
FRED How fast can I get 'em?
WESLEY Half of these are antiquities of the rarest order. 
 (stands, walks toward her) If I exploit every connection I've 
made over the last month as the new head of research and 
intelligence... 20 minutes.
FRED Great. Let me know when they're in.
WESLEY (leans against his desk) Under one condition... 
dinner.
FRED (looks startled) Oh, I, uh...
WESLEY I mean you, having one, a real one. When's the 
last time you had anything besides day-old takeout? Or had more than a 
nap up in your lab?
FRED (nods) I'm OK. Really. 20 minutes? Thanks. And 
don't worry. I am totally, completely...(turns to walk out and is 
startled when she sees Eve standing there) Aah!
EVE Hey. Got a sec?
Cut to:
5 INT. ANGEL'S OFFICE - NIGHT Angel is sitting behind his desk, 
with Eve standing beside him. Fred is in a chair sitting across the desk 
from Angel.

ANGEL Ahem. Um, I know difficult it's been going from a 
small detective agency to... running Wolfram & Hart. And we've all 
been adjusting, but...
FRED It's OK. Wes just gave me the talk. And I'm going to 
have a good meal and at least 6 hours of sleep, so everybody can just 
stop worrying. I'm fine. Really.
ANGEL Good. That's...(glances at Eve) Actually, 
there's some concern about how much the Practical Science Department's 
been spending.
FRED Oh. Um... yeah, I guess I may have gone over my 
projections by a few—
EVE $800,000. That's how much you've exceeded your 
quarterly budget. And the quarter ain't over yet, sweetie. (sits of 
the edge of Angel's desk)
FRED Look, I—I know it sounds like—I mean, it is a lot of 
money, but I—I'm trying to do something that's never been done before. 
So, yeah, attempting to recorporealize Spike is gonna cost—
ANGEL (holds his hands out in a stopping motion) Whoa! 
Trying to do what?
FRED Make Spike corporeal again like you asked.
ANGEL Uh, no, what I asked for was for you to try to find 
a way to get Spike out of Wolfram & Hart.
FRED Angel...(stands) We accepted the offer to 
take over the L.A. Branch of an evil, multi-dimensional law firm 
because we thought we could make a difference. Use the resources of 
Wolfram & Hart to do something decent.
ANGEL And how does that have anything to do with 
Spike?
FRED He just saved the world. Vampire with a soul 
fighting for the good of humanity. Ring anything? He's just like you, 
a champion.
ANGEL (crosses his arms) God, I really hate that 
word.
FRED Think of what an asset he'd be fighting on our side. 

ANGEL Except he won't be. I know Spike better than 
anyone, and he only cares about himself.
FRED And Buffy.
EVE Well, this is getting interesting.
ANGEL (rolls his eyes) You're right. He does care 
about Buffy. So, where do you think he's gonna run off to as soon as 
his fresh, new feet hit the ground?
FRED Is that what this is about? You're afraid he's gonna 
come back and try to get with your ex again?
ANGEL I just want you to be careful, Fred, because I know 
how charming Spike can be.
EVE He is quite the dish, with those eyes... 
FRED And the hair and the cheeks and— What do you think I 
am, stupid? I know he's been playing me with the looks and the smiles. 
I'm not some idiot schoolgirl with a crush.
ANGEL Then what is it?
FRED It's about doing what's right. Remember?
ANGEL Your department. Your call. Just don't be 
disappointed if it doesn't work. Some people can't be 
saved.
Cut to:
6 INT. SCIENCE LABORATORY - NIGHT Spike reappears in the 
laboratory, but it's empty.

SPIKE (sighs) Never a fetching mad scientist about 
when you need one. (sees Fred's notes sitting on a lab desk, 
sighs) Whatever you're cobbling together, pet, I think you better 
hurry it along.
Spike notices a desk lamp blinking and buzzing across the room and 
walks toward it. A dark shadow passes quickly behind him.

SPIKE Done chopping your feelers off in the basement? 
Floating upstairs for a few chuckles now?
Right outside the lab, another light starts blinking on and off and 
buzzing.

SPIKE (scoffs) Right. Vampire ghost here, ya sod. 
Bloody well invented afraid of the dark. (walks toward the 
light)
Cut to:
7 INT. HALLWAY - NIGHT Now in the hallway, Spike can see a row of 
ceiling lights going off one by one, seemingly directing him down the 
hallway.

SPIKE Bugger this. I'm not playing follow the blinking 
light for the rest of the— (he hears a woman crying at the end of 
the hall) All right. Lured me here with the creepshow. Now 
what?
Spike walks up to the woman, who's crouched on the ground crying. 
She's dressed as a maid from the late 19th century with a frilly white hat 
and an apron. When he gets near, she stands and holds out stubs of what 
once were arms.

ARMLESS GHOST WOMANPlease...hold me... Hold me, please. 
It's coming.
Spike does a double-take, and the woman is gone.
Cut to:
8 INT. ANGEL'S OFFICE - NIGHT Angel walks out of the elevator into 
his office, where Spike is standing, waiting for him.

SPIKE So, what's on the 'genda? Rousting a nest of 
venomous retirement plans?
ANGEL (rolls his eyes, pours a drink of blood from a 
crystal decanter) Shop's closed, Spike. Come back and haunt me 
tomorrow.
SPIKE Air's too rarefied up here for my taste, anyhows. 
Down with the dregs is where I belong, isn't it?
ANGEL And yet he's still here. (walks toward his 
window)
SPIKE Just thought we could hang is all. Couple of 
vampires from the old days doing our... hangy thing.
ANGEL You're starting to feel it, aren't you? How close 
you are now... to hell?
SPIKE What if I am? Not like it's such a big, bleeding 
deal, is it? If a ponce like you could break out—
ANGEL I never escaped from hell. All I got was a short 
reprieve. Not even sure how I managed that.
SPIKE Oh, put your martyr away, Mahatma. Fred told me all 
about your great, shining prophecy. Pile up all your good deeds and 
get the big brass ring handed to you like everything else.
ANGEL (turns to face Spike) Except for one small 
catch. The prophecy's a bunch of bull. They all are. Nothing's written 
in stone or fated to happen, Spike. You save the world, you end up 
running an evil law firm.
SPIKE Or playin' Casper with one foot in the fryer.
ANGEL (walks close around Spike, whispering in his 
ear) You think any of it matters? The things we did? The lives we 
destroyed. That's all that's ever gonna count. So, yeah, surprise. 
You're going to hell. We both are. (sits on couch)
SPIKE Then why even bother? (scoffs) Try to do the 
right thing, make a difference...
ANGEL What else are we gonna do?
SPIKE So that's it, then. I really am going to burn. 
ANGEL Welcome to the club.
SPIKE (sighs, sits on the couch beside Angel) Least I 
got company, eh? You and me, together again. Hope and Crosby. Stills 
and Nash. Chico and the—
ANGEL Yeah, are we done?
SPIKE Never much for small talk, were you? Always too 
busy trying to perfect that brooding block-of-wood mystique. God, I 
love that.
ANGEL Not as much as I loved your nonstop yammering.
SPIKE The way you always had to be the big swingy, 
swaggerin' around, barkin' orders...
ANGEL Never listening...
SPIKE Always interrupting...
ANGEL And your hair. What color do they call that, 
radioactive?
SPIKE Never much cared for you, Liam, even when we were 
evil.
ANGEL Cared for you less.
SPIKE Fine.
ANGEL Good. (beat) There was one thing about 
you...
SPIKE Really?
ANGEL Yeah, I never told anybody about this, but I—I 
liked your poems.
SPIKE (frowns) You like Barry 
Manilow.
Spike is distracted when he notices a man hanging from the 
ceiling.

ANGEL What is it?
SPIKE Don't you see it?
ANGEL See what?
SPIKE Nothing. Too much talk of fire and 
brimstone. (looks over Angel's shoulder and sees the hanging man 
standing there)
ANGEL What?
Cut to:
9 INT. ANGEL'S OFFICE - NIGHT A little later, an agitated Spike is 
pacing the room, being questioned by Angel, Wesley, and Fred.

ANGEL Right now?
SPIKE Yes. Right now. Right here.(to ghosts) Piss 
off! I'm trying to have a conversation here! Shut up!
WESLEY (to Angel) Who's he talking to?
ANGEL Ghosts.
FRED Where? (a ghost walks behind Fred, unnoticed)
SPIKE Everywhere. The blighters are coming out of the 
woodwork!(to ghosts) No, I am not talking to you! Go away!
GUNN We just checked with security.
EVE They do hourly sweeps with the mystics to secure 
against spectral intrusion.
ANGEL So how many are we dealing with?
GUNN None. Last sweep was 10 minutes ago. Spike's the 
only non-corporeal in the building.
ARMLESS GHOST WOMAN (whispering, circling Spike) It's 
coming for you.
SPIKE Check again.
FRED Maybe we should go back to the lab—
SPIKE (seeing ghosts all around him) No, I'm telling 
you, they're here. You have to check again. Something's happening—
HANGING GHOST MAN It's...here.
SPIKE (exhales) Fred, please, you have to use that 
perfect brain of yours and get me the hell out of here. (fades 
away)
FRED Spike?
EVE Where'd he go?
ANGEL It's OK. He does this sometimes. 
SPIKE Does what?
FRED We should spread out, see if we can find him. We 
just need to find him. (everyone exits the room)
SPIKE What are you going on about? I haven't gone 
anywhere. Fred? I'm here. I'm—I'm still here! Fred! (walks out 
after them)
MALE VOICE She can't help you now, William. No one 
can. (chuckles)
Fade to black.

ACT II:
10 INT. LOBBY - NIGHT Resume. Spike stands in the lobby, looking 
over his shoulder, talking back to the voice that just spoke to him.

SPIKE Is this the part where I say, "who's there?" And 
something creepy happens? 
A black shadow glides quickly across the balcony.

SPIKE Thought so.
Spike walks up the stairs toward the shadow, when the elevator bell 
dings, the doors open, and the light shows it's going down.

SPIKE Oh, no. Haunted lift. Take a slice more to wet my 
knickers. (sighs, walks into the 
elevator)
Cut to:
11 INT. WESLEY'S OFFICE - NIGHT Wesley, Gunn, and Fred walk into 
Wes's office.

WESLEY Angel does have a point. Spike has been 
unintentionally disapparating more and more frequently.
GUNN Give him 20 minutes. He'll be popping up next to you 
in the bathroom, making cracks about your—(looks at Wesley) Am 
I the only one he does that to?
FRED I know he's done this before, but you saw the way he 
was acting. Something's different this time. He's agitated, 
hallucinating.
GUNN Ghosts can do that?
WESLEY We are dealing with a unique case here as far as 
manifestations go. Dementia isn't completely out of the question.
FRED He's not crazy.
GUNN Screaming about people who aren't there? That's 
grounds for involuntary committal under the Lanterman-Petris-Short Act 
which states— Oh, sorry. Sometimes the law they stuffed in my noggin 
just clicks on.
FRED You don't know what Spike's dealing with, where he 
goes when he disappears. He told me. It's hell.(dramatic 
close-up) He's slipping into hell.
GUNN Kinda figured.
WESLEY Of course.
GUNN Where else would he be 
headed?
Cut to:
12 INT. BASEMENT - NIGHT The elevator dings, the doors open, and 
Spike steps out into the basement.

SPIKE Had to be the basement.(hears the chopping 
sound again) I already played this one out. Not like another 
round's gonna rattle my knobs.
Spike walks toward the table at the end of the hall, but the man 
isn't sitting at the table anymore. His chopped-off fingers are still 
there, twitching. A business-woman appears out of the corner. She's got a 
shard of glass sticking out of her left eye. 

GLASS GHOST WOMAN (singsong) It's gonna get you. 
 (giggles)
SPIKE What exactly would it be, love?
GLASS GHOST WOMAN Reaper's gonna take you. 
 (giggling)
SPIKE The reaper? Tall, grim fellow with a scythe? Is 
that what all this boogie-boogie's been about?
GLASS GHOST WOMAN It hurts...
SPIKE I been knocking around the land of the lost for 
months now, pretty as you please. Slipped through the cracks, did 
I?
GLASS GHOST WOMAN (pulls the shard of glass out of her 
eye) Don't worry, William. Haven't forgotten you. (slices 
Spike's face with the sharp 
glass)
Cut to:
13 INT. SCIENCE LABORATORY - NIGHT Fred is working on equations in 
her lab. 

FRED Carry the quotient load across the remainder... 
support the imbalance with Lumirea's fourth constant...
SPIKE (apparates, talks to Fred) Think I know what 
they are... the things I been seeing. They're the welcoming party. 
Guess hell got tired of waitin'. Reaching out for me now. Sent their 
boy around to collect me.
FRED (looking at papers) I knew it.
SPIKE Knows my name. Knows how to hurt me. I wanted to 
thank you, pet. How you tried to help. Wanted to tell you what that 
meant to me before I—
FRED Damn, I'm good!
SPIKE You are?
FRED Frickin' genius! Just cancel out the radical... 
SPIKE (looks up, gives the finger, and chuckles 
victoriously) Thought you had me, didn't ya?
FRED Which causes a feedback wave that liquefies half of 
Los Angeles.
SPIKE What?
FRED Oh! I'll never figure this out!
SPIKE Yes, you will! Genius, remember? Don't throw in 
now, Fred. Please!
Spike reaches out emphatically toward Fred, and his hand creates a 
spark of electricity near Fred's shoulder, making her jump.

FRED (gasps, looks around) Spike?
SPIKE That's right, love. You felt it, too, didn't you? 
I'm here! I'm still here. No! She can feel me. You're not taking me 
yet! You're not taking me! 
FRED Spike, if it's you, give me some sort of—(looks 
around the room, startled when she sees Angel standing there) Oh! 
Would everybody please stop doing that?
ANGEL Sorry. I just wanted to let you know—
FRED Angel, something was in the lab. It—it touched me. I 
think maybe it was—
ANGEL Fred, we did another sweep with the mystics. They 
didn't find anything.
FRED Screw the mystics. I know what I felt. We have to 
find a way to contact him before he's really 
gone.
Cut to:
14 INT. CONFERENCE ROOM - NIGHT Wesley and Gunn are sitting at the 
conference table with Fred and Angel. 

WESLEY Perhaps we should reconsider this.
GUNN You think? Seen enough horror flicks to know these 
things always turn out ugly.(Eve escorts a pretty blonde woman in 
a red dress into the room) I stand corrected.
PSYCHIC All right. Let's get to it. Eve tells me that 
you've lost a ghostie. 
FRED Well, he's not actually a ghost technically. More of 
a—
PSYCHIC Yeah, whatever.(sits at the head of the 
table) Now, I have pilates at the crack of why-am-I-awake? So we're 
gonna move this right along. I will mutter a few calming words to get 
us into the zone, and then we'll see if we can scare up your missing 
spook. OK. Clear your minds... which, judging by the looks of you, 
won't be that hard. 
FRED Should we hold hands?
PSYCHIC Only if you're lonely. Now, zip it and let me do 
my sweet funky. (inhales, exhales) I call upon the guardian of 
souls, the keeper of the passage. Let our breath flow from what is to 
what has passed. Bless us with the presence of the lost. Grant us 
communion with the world beyond our reach. Give voice to those who can 
no longer be heard. I beseech you, open your gates... reveal your 
secrets.(her eyes open with a start) I sense a presence.
SPIKE Damn right you do.
PSYCHIC Very close
SPIKE Skip the claptrap and tell them to get me out of 
here.
PSYCHIC So much pain...
FRED He's in pain?
PSYCHIC The dark soul... so much suffering.
SPIKE Dark. Pain. Suffering. They've got it. Now tell 
them to help me!
PSYCHIC It's coming...it's coming...
SPIKE I'm already here. What are you going on about?
PSYCHIC (frightened) Oh, God. I can feel it. The dark 
soul...it's here. It's... it's the R...
SPIKE The Reaper! The bloody freakin' Reaper! Go on, tell 
'em!
PSYCHIC It's the— (the woman grabs her own throat, 
trying to pull at her necklace) Aah!
GUNN Whoa!
FRED What's happening?
The psychic woman is choking. 

ANGEL Spike, stop it.
SPIKE It's not me, you git.
ANGEL Let her go. (stands, goes to the 
woman)
The woman sits up, gasps as if she's regaining her composure. She 
has a slight nosebleed. She exhales. 

FRED Are you all right?
The psychic woman explodes in blood all over Fred, then 
collapses.
Cut to:
15 INT. ANGEL'S OFFICE - NIGHT Gunn and Wesley walk out of the 
conference room into Angel's office to talk alone. 

GUNN OK, what the hell was that? I know they used to call 
Spike "William the Bloody," but why would he go all Scanners on 
her?
WESLEY He wouldn't. No advantage in it to kill someone 
trying to help him.
GUNN You saying it was an accident?
WESLEY Or whatever she contacted wasn't the "dark soul" 
we were expecting.
GUNN So if she wasn't talking about Spike...
WESLEY Then there's something else here at Wolfram & 
Hart. Something else a hell of a lot 
worse.
Cut to:
16 INT. SCIENCE LABORATORY - NIGHT The sound of running water can 
be heard as the camera goes through the lab toward a shower. Fred is taking 
a steamy shower. Spike is standing there, outside the shower stall, talking 
to himself.

SPIKE Why did it kill her? Reaper's supposed to take 
souls, not make 'em. If it's come for me...couldn't have been worried 
she was gonna help. She didn't even know I was there. Unless it wasn't 
about me.(looks at Fred in the shower) Fred, I think I know 
why it killed her. It was trying to hide something, something it 
didn't want you to know because— 
Spike reaches out and touches his hand to the glass. He's surprised 
that he can do this, and he tries again, this time his hand goes through 
the glass. 

SPIKE Come on. Just...reach out. 

Spike tries again, concentrating, and manages to write in the 
condensation on the shower stall glass. When Fred finishes her shower, she 
starts to walk out and notices the word "REAPER" in the mist on the glass. 
As she notices it, the glass shatters and Spike is pulled through the wall 
out of the lab and into the lobby.
Cut to:
17 INT. LOBBY - NIGHT Spike is lying on the floor as a man in a 
business suit walks up the stairs. Spike stands. 

SPIKE Come on, then. No more games. No more hiding in the 
shadows. Let's do this... right and proper. A lawyer?
The lawyer looks fairly normal until he turns to walk toward 
Spike, revealing that one side of his face is bashed in and 
bloody.
BLOODY GHOST LAWYER (whispering, walks past 
Spike) William...
ARMLESS GHOST WOMAN (reaches out for Spike with her 
stubs) Please...
SPIKE (turns, walks away down the stairs) No!
GLASS GHOST WOMAN (moans as he walks past her on the 
stairs) It hurts...
SPIKE (standing in the main lobby floor now) No! I'm 
not talking to flunkies anymore! You hear that?! Got your number, 
don't I? You're sending in third-rates to rattle my chains. You're 
just some little twit of a spirit trying to have a go at me, aren't 
you? Big bad reaper, come to take me to hell. Not bloody likely. 
 (Spike falls to the ground suddenly as he has painful visions of 
torture) Aah! Aah!
REAPER / MALE VOICE (chuckling) Oh, yes. Take you 
screaming. An eternity of suffering for your sins.(the Reaper 
appears to Spike for the first time, standing over him, dressed in a 
cloak reminiscent of Jack-the-Ripper, speaking in an English 
accent) But first.. I get to play.(fondles his torture 
instruments) Let's get started, then... shall 
we?
Fade to black.

ACT III:
18 INT. WESLEY'S OFFICE - NIGHT Angel, Gunn, and Wesley are sifting 
through books in Wes's office.

GUNN (holding an open book) Got it. The dark soul.
ANGEL What's it say?
GUNN A lot. There are over 3,200 different references. 4 
of them are about you.
ANGEL What? Give me that.
WESLEY This is getting us nowhere.
ANGEL Let me see this. Well, that's not fair. I didn't 
even have a soul when I did that.
WESLEY There has to be a way to narrow down the 
search.
FRED (runs into the room, her hair is still 
wet) Reaper. Cross reference with the word "reaper."
GUNN Where'd you pull that?
FRED It came to me in the shower.
ANGEL Here it is. Matthias Pavayne, dark soul number 
182.
WESLEY Pavayne... (stands, goes to his computer)
ANGEL Well, there's not much here. European aristocrat, 
18th century. He was a doctor, nicknamed "The Reaper" for performing 
unnecessary surgery on his patients.
FRED Well, what kind of surgery?
WESLEY The kind you don't recover from. There's a file on 
him in internal archives, classified histories.
GUNN He worked for Wolfram & Hart?
WESLEY Not exactly. "Word spread of his unorthodox 
practices... fled to California, still under Spanish rule at the time. 
His arrival coincided with a rash of brutal, ritualistic murders. 
Pieces of the victims placed in a manner suggesting an intimate 
knowledge of the dark arts."
FRED Pieces?
WESLEY "The slaughter continued for the better part of 20 
years. The perpetrator was never caught." At least... not by the 
authorities.
ANGEL What, you're saying Wolfram & Hart took this 
guy out?
FRED Why would they do that?
GUNN Sounds like their idea of employee of the month.
WESLEY Because they needed his blood. "Representatives 
from Wolfram & Hart were looking to build a new branch in what 
would eventually become Los Angeles. Unfortunately a Spanish mission 
was already resting on the site their seers recommended." They needed 
an appropriate sacrifice to deconsecrate the grounds.
FRED So this place is built on the blood of a 
mass-murdering psychopath?
WESLEY It would appear so.
GUNN But if Pavayne's half as bad as he sounds, he 
should've been roasting his chestnuts in hell centuries ago.
ANGEL You said something about the dark arts, right? 
Maybe he knew enough to figure out a way to stick around.
FRED That might explain why the mystics can't get a bead 
on him, too.
ANGEL What I still don't get are all the ghosts at 
Wolfram & Hart.
WESLEY But there aren't any.
ANGEL That's what I mean. High-risk employment. People 
die here all the time. This place should be full of spooks. So what 
happened to them?
GUNN Maybe this Pavayne character's munching on them.
FRED Whatever he's doing to them, we need to get Spike 
back... before he's next.
Cut to:
19 INT. SCIENCE LABORATORY - NIGHT Spike is face-down on the lab 
floor, clawing his way across the room, trying to get away from Pavayne. 
There are cuts all over his hands and face.

PAVAYNE / REAPER Vampire soul... watch it struggle. More 
fun than the others.
SPIKE Go to hell. (looks up and sees that Pavayne is 
in front of him now)
PAVAYNE Your journey, not mine.(notices Fred walk 
back into her office) Oh, the pretty. Still trying to save you. 
Such passion, so...wet and sweet. Perhaps I'll have a taste one 
day.
Spike gets up off the ground and throws a punch at Pavayne's head, 
but his fist goes right through it. 

PAVAYNE (laughs) Still thinking like meat and bone. 
None here, boy. In this place...
Cut to:
20 INT. BASEMENT - NIGHT Spike and Pavayne are no longer in the lab 
and appear suddenly in the basement.

PAVAYNE ...all rules are mine. Reality bends. My desire. 
The way it was meant to...
SPIKE Bending reality? I didn't just fade away. It was 
you. That's why they can't see me anymore.
PAVAYNE (O.S.) Parlor tricks. To amuse... like your 
blood. (Spike's wounds disappear, Pavayne chuckles) Oh, yes. 
Nothing here without the will. Your voice... your body...
GLASS GHOST WOMAN Clothes you think you 
wear...
Spike's clothes disappear, and he stands naked, being circled by the 
ghosts.

PAVAYNE (O.S.) William the Bloody. Scourge and destroyer. 
But scratch the surface...
ARMLESS GHOST WOMAN Little nancy, still crying for his 
mother.
PAVAYNE (O.S.) Know all your hiddens, dirty red things 
you've done. Then fell in love. Won himself a soul. No more dirty 
things. Thinks himself special. 
GLASS GHOST WOMAN Thinks it matters.
HANGING GHOST MAN Hell still waits.
PAVAYNE (O.S.) Knows he deserves it, like all the others. 

SPIKE You killed them.
PAVAYNE (O.S.) No. Died themselves. Here, in the service 
of Wolfram & Hart. Little ants, scurrying from the flames.
SPIKE Their spirits hung on. Tried to keep from tumbling 
into hell. Till you gave 'em a shove.
PAVAYNE (O.S.) Burning now. Screaming forever. Like 
you'll scream.
SPIKE If they're in hell, they can't be here then, can 
they? Just more of your tricks. They aren't real.
PAVAYNE (O.S.) Real enough.
SPIKE (the hanging man attacks Spike, driving a knife 
into his back) Hunh!
PAVAYNE (O.S.) Hell always hungers for the wicked, boy, 
and it's feeding time.
Cut to:
21 INT. FRED'S OFFICE - NIGHT Wesley, Gunn, and Angel walk into 
Fred's office, and she's writing formulas on the windows.

WESLEY That's never good.
FRED What? Oh, no, I... I just ran out of white board. 
I'm not crazy. Again.
GUNN Just scary smart.
ANGEL You really think this will bring Spike back?
FRED Well, I had to extrapolate a new variation on 
interdimensional plasma dynamics on the fly, but... if the math 
holds...
ANGEL All right. First we'll try to get Spike back, and 
then we'll deal with Pavayne.
FRED Wait. For this to work, it's going to require a 
massive surge of dark energy to catalyze the process.
ANGEL How massive?
FRED The equivalent of nuclear evil.
ANGEL Well, where the hell are we supposed to find 
that?
WESLEY Well...there is a legend that tells of a volcano 
deep in the forbidden jungles of South Africa.
GUNN (cuts Wesley off) Or... I might know a place a 
little closer to home.
Cut to:
22 INT. WHITE ROOM - NIGHT Angel and Gunn are standing in a huge 
warehouse-sized room that's painted entirely white.

ANGEL The white room?
GUNN Why do you think they call it that? And how are we 
still in the building, when we're standing in a place that technically 
doesn't exist.
ANGEL So this is your brainstorm. You want to try and to 
snip off a piece of the conduit that connects Wolfram & Hart to 
the other dimensions.
GUNN "Want" may be a hair strong.
ANGEL Last conduit took the form of that creepy little 
girl. No telling what the new one's decided to look like.
GUNN Actually, it's not that bad... (animal growls and 
snuffles off-screen) ...if you like cats.
ANGEL I'm kind of a dog person.
GUNN (animal snarls) Ix-nay on the og-day.
ANGEL Um...look, we're not here to ruffle anything. 
 (holds up an empty flask) We were just wondering if we maybe 
could borrow a couple of whiskers or—
GUNN (animal snarls, Gunn takes the flask from 
Angel) Whoa. Hey, easy. It's me. Charles Gunn. You know I wouldn't 
be here if the situation wasn't heavy. Just asking for a little help: 
Me to you, personal favor. What do you say? (soft growl, a black 
panther appears in the room) Yeah. (Gunn smiles, leopard 
purrs) Who's a good kitty? (Gunn pets the 
leopard)
Cut to:
23 INT. BASEMENT - NIGHT A completely naked Spike is lying on the 
floor, cringing in the fetal position, as Pavayne leans over him taking mad 
joy in torturing him.

PAVAYNE Disappointing. (Spike shudders in pain) I 
expected more from soul of vampire. Too much conscience, perhaps, 
weighing it down. 
A portal opens up in the basement right in front of Spike. It's 
black and slick like oil. The portal has a deep hole in the center, and 
long black tentacle-like arms reach out toward Spike threatening to pull 
him in.

PAVAYNE Look... hell knows you're ready, plump and ripe. 
Beginning to understand, aren't you? The soul that blesses you... 
 (Spike has flashes of a vision of someone being 
tortured) ...damns you to suffer—forever.(holds Spike's head 
up toward the portal) You go now, William, so I can 
stay.
Fade to black.

ACT IV:
24 INT. BASEMENT - NIGHT Resume. Pavayne is holding Spike's head up 
toward the portal to hell.

PAVAYNE Yes, squirm, boy. It won't make a difference. 
Getting what you deserve. 
SPIKE You're right. I do deserve to go to hell. But not 
today.
Spike squirms free and knocks Pavayne off of him. Spike stands, and 
Pavayne is on the floor on his back looking at Spike.

PAVAYNE You dare!
SPIKE (as Spike stands, the portal behind him 
closes) Quite a bit, mate. Reality bends to desire. That was it, 
right? That's why I could touch Fred, write your name in the glass. 
All I had to do was want it bad enough.(Spike looks down at his 
naked body and clothing appears on him again) (an angry Spike 
glares at Pavayne) And guess what I want to do now, you prissy son 
of a bitch!
Cut to:
25 INT. ANGEL'S OFFICE - NIGHT Spike punches Pavayne through a 
wall, and they are now standing in an office instead of the 
basement.

SPIKE Keen little racket you've got carved out for 
yourself—prying off spirits and sucking them down the chute. Kept your 
own toasties out of the fire, didn't it? 'Til 
now.
Spike punches Pavayne, who fights back, but not too well. Spike 
beats him over and over again.

SPIKE Not so much fun when we hit back, is it?
PAVAYNE (punches back, stronger now) Starting to 
be.
Cut to:
26 INT. SCIENCE LABORATORY - NIGHT Fred and Wesley are working in 
the lab on an elaborate machine when Gunn and Angel walk in.

FRED (to Wes) Make sure it's calibrated to minus .058. 
 (to Gunn) Did you get it?
GUNN (hands Fred the flask containing about a liter of a 
dark liquid) Make it count. Told me we ain't getting anymore.
ANGEL It talks? I didn't hear it talk.
GUNN Maybe you weren't listening right.
FRED (puts the flask in the machine) All right, I 
think we're almost ready.
ANGEL How do we let Spike know?
WESLEY (standing at the controls of the machine) Won't 
have to.
FRED (starting up the machine) This baby puts out 
enough juice to light up ghost city. Anything remotely spectral around 
here is about to get the tinglies.
Pan out to show a ring on the floor, painted with symbols around the 
edge. The machine controls are hooked up to the ring.
Cut to:
27 INT. LOBBY - NIGHT Spike and Pavayne have continued fighting, 
and Pavayne seems to have control now. Spike's just landed on the floor and 
Pavayne is standing over him, panting.

PAVAYNE Learned a few of my tricks. Means nothing, does 
it?(kicks Spike across the room) I've cheated hell for 
hundreds of years. Fed it other dirty little souls. Left me alone, let 
me get stronger. Now, this realm... I am God. And you...(picks up 
Spike by the collar) ...wood for the 
fire.
A energy burst goes through the lobby, and both Spike and Pavayne 
notice it. Spike takes this opportunity while Pavayne is distracted, 
punches Pavayne, and runs away.

PAVAYNE This won't do. This won't do at all. (follows 
Spike)
Cut to:
28 INT. SCIENCE LABORATORY - NIGHT Angel, Gunn, Wesley, and Fred 
are in the lab waiting for the machine to do its magic. 

FRED (reading her scanner, which beeps) He's here. 
 (still unable to see Spike, she yells out to the room) Spike, 
step into the circle! Hurry! We've only got one chance at making you 
corporeal agai—
Fred's sentence is cut off when she starts choking. She puts her 
hands to her throat. Pan over to show Pavayne is grasping her throat with 
his hand. 

PAVAYNE Why ever would I want to do that?
WESLEY Fred!
GUNN It's Pavayne! 
ANGEL He's killing her.
Angel, Gunn, and Wesley charge toward Fred to try and help her, but 
Pavayne knocks them all across the room. 

PAVAYNE (to Spike) Decisions. The girl... heh... or the 
flesh. There's no time for both. 
Spike stares at the machine's ring which is ramping up, clearly 
almost ready to do it's magic, then he looks at Fred across the 
room.

PAVAYNE (grins) There's hope for you yet, boy.
SPIKE (disappears, and reappears beside Fred) Not 
really.
Spike knocks Pavayne into the machine's ring just as it activates. 
Pavayne is now corporeal. Angel gets to his feet and walks up to the 
machine's ring, while Gunn and Wesley go to Fred's side.

PAVAYNE (stands, looks at his body, growls) No. No! 
Defilers! I'll...cut you into nothing! I'll feast on your brains. I'll 
swim in lakes of your own blood.
ANGEL (punches Pavayne, knocking him down) You'll shut 
the hell up.
SPIKE (reappears) Don't kill him. If he becomes a 
spirit again, we'll never stop him.
ANGEL Fine. No killing. Just a whole lot of 
bruisin'. (punches Pavayne 
again)
Cut to:
29 INT. SCIENCE LABORATORY - DAY Wesley and Gunn are helping Fred 
clean up her lab. 

WESLEY (to Fred) You sure you're all right?
FRED Yeah, I...it's just, you know. 
GUNN Why don't you take a break? We'll finish up.
FRED Thanks. (walks into her 
office)
Cut to:
30 INT. FRED'S OFFICE - DAY A very down-spirited Fred mopes over 
her burned notes, and sits on the edge of her desk. Spike appears in her 
office.

SPIKE Don't suppose you built a spare?
FRED Most of the pieces I used on this one were 
practically nonexistent to start with. Even if I could replace them, 
the chances of finding another power source are... I'm sorry.
SPIKE (sits beside Fred on the edge of her desk) Don't 
be, love. Made my choice. Wouldn't change it for the world.
FRED There are other things we could try. They're a 
little riskier, but—
SPIKE No. I'm not gonna end up like Pavayne—cheating hell 
any way he could, no matter who it hurt.
FRED Just proves what I've been telling everybody.
SPIKE That I'm a handsome devil who brightens the place 
up?
FRED (smiles, looks at Spike) That you're worth 
saving.
SPIKE Don't have it so bad, really. Plenty of room. Good 
company. Even picked up a few new tricks. (picks up her coffee mug, 
Fred laughs, Spike smiles) I guess there's worse things...than 
being a ghost.
Cut to:
31 INT. BASEMENT - DAY Pavayne is in a restraining cell only a few 
feet wide. He's standing in it, strapped in by metal bars, with electrodes 
attached to his head. Angel and Eve are standing in front of him, looking at 
him.

ANGEL Sure it'll hold him?
EVE Permanent storage. If there's anything Wolfram & 
Hart excels at, it's keeping their unmentionables unmentioned.
ANGEL (to Pavayne) Congratulations. You get to live 
forever, unable to move, to touch, or to feel... or to affect anything 
in the world around you. But don't worry—I had 'em give you a window. 
 (shuts the door, revealing a brick-sized window cut out of the 
cell door right at eye-level) Welcome to hell. (walks off with 
Eve)
Fade to black.
End