GILES (V.O.)
Previously on Buffy the Vampire Slayer:
BASEMENT
AT SUNNYDALE HIGH - NIGHT
Jonathan is packing up his bag, when Andrew comes to him and puts his right
hand on Jonathan's shoulder. Jonathan looks up at Andrew, stands. Jonathan's
eyes widen as Andrew takes his left hand and stabs him in the belly with a
dagger. Jonathan looks at Andrew, hurt. Jonathan collapses onto the metal
object that they unearthed. He bleeds profusely, with his blood filling the
grooves in the object.
XANDER (V.O.)
You killed your best friend.
Cut to:
BASEMENT
AT SUNNYDALE HIGH - DAY
Andrew leads Buffy, Dawn, and Xander to the room where he killed Jonathan.
ANDREW
It didn't work 'cause there wasn't enough blood.
Cut to:
BASEMENT
AT SUNNYDALE HIGH - NIGHT
Spike is tied to the wheel-like construct with all four corners of his body
pulled in opposite directions. Spike's body has symbols carved into his chest.
Spike/First morphs into Buffy's form. A Harbinger cranks a wheel attached
to a mechanism that hoists the wheel Spike's tied to into the air. Spike is
now hanging from the wheel about ten feet from the ground, bleeding steadily
from his ritualized symbol-shaped cuts.
BUFFY
I bet that's what the First needed Spike for.
Spike's blood is falling on the Seal of Danthazar that's right below him.
It's pooling in the grooves and being absorbed into the seal. The seal starts
to glow. One by one, the pointed tips of the pentagram at its center fold
up, forming a pyramid. Light comes out from under it.
Cut to:
DINING
ROOM AT BUFFY'S HOUSE - DAY
Xander is squatting next to Andrew's chair, untying him.
BUFFY
We don't have time to baby-sit a hostage.
ANDREW
I'll be good.
Cut to:
BASEMENT
AT SUNNYDALE HIGH - DAY
After covering up the seal, Buffy and Dawn walk out of the Seal of Danthazar
room. Principal Wood passes them in the basement hallway, carrying a shovel,
looking a little disheveled.
PRINCIPAL WOOD
Apparently somebody left this in the courtyard, and I was just returning it.
BUFFY
That's some full-service principaling.
PRINCIPAL WOOD
I try.
Cut to:
BASEMENT
AT BUFFY'S HOUSE - DAY
Spike is sitting on a cot, his wrists chained to the wall. Suddenly, his face
contorts and he twitches.
SPIKE
Ow ow ow! (leans back, thrashes against the wall, holds his hands to his head,
writhing in intense pain)
BUFFY
There's gotta be a reason why the chip is going all wonky.
Cut to:
THE INITIATIVE
SUNNYDALE HEADQUARTERS - DAY
Buffy's standing outside the examination room where Spike is lying on a table.
The lead soldier comes up to her. She turns to look at him.
SOLDIER
This chip...we can either repair it... or remove it.
Buffy blinks, looks down, and takes a deep breath.
Cut to:
FLAT
IN ENGLAND - DAY
Giles enters the flat and sees Robson, who's found near a chair in the next
room. Giles goes to his side.
GILES
Robson!
XANDER (V.O.)
Robson blacked out, but the last thing he remembers is Giles's head about to
get real familiar with a Bringer's very sharp axe.
ROBSON
(eyes flash open) It's started...
A Bringer steps up behind Giles, carrying an axe.
Fade to black.
PROLOGUE:
FLAT IN
ENGLAND - DAY
Resume. Giles is talking to Robson while a Bringer sneaks up behind him, wielding
an axe.
GILES
I understand. I'll take care of i -
One of the robed men sneaks up behind Giles wielding a battle-axe. He swings
it at Giles. Giles grabs the shaft of the axe right before the blade touches
him. He stands, punches the Bringer in the stomach, and takes control of the
axe. Holding the axe handle with a hand on either end, he knocks the Bringer
in the chin, sending him backwards into a chair. Giles swings the axe at the
Bringer's neck, chopping off its head.
Cut to:
CEMETARY
IN SUNNYDALE - NIGHT
Giles is telling his story to the girls as they patrol. Buffy, Kennedy, Amanda
and a new slayer in training are with him.
GILES
It was, uh, extraordinary good luck, of course. And - and, uh, training - years
of training. Chao-Ahn, keep up. You're new here, Chao-Ahn, so take note. Remember
about training. But I honestly feel the largest part of it was instinct. Instinct
and-and reflexes. There's a sort of wary watchfulness I've developed over the
years. It's like another sense -
From out of nowhere, someone attacks Giles, knocking him to the ground.
It's Spike.
BUFFY
(worried) Spike!
(simultaneously)
GILES, SPIKE
Hey!, Hey!
You're not in pain. You're not the First.
GILES
What?
SPIKE
Anya said you were the First. Said you were evil. You're supposed to be all
go-through-able. (stands, walks to Buffy's side)
GILES
(stands) Then what the hell did you tackle me for, you berk? What's that supposed
to do?
SPIKE
I, uh, I didn't think of that.
GILES
More importantly, you just hit me. Why didn't your chip go off?
SPIKE
(looks down) Yeah, well...
BUFFY
Well, uh, when we were at the Initiative... (looks at Spike)
SPIKE
(looks at Buffy) There was a choice.
BUFFY
(looks at Giles) Right. Either repair the chip, or to remove it.
GILES
You had it remov - You removed the chip?
BUFFY
(smiling, trying to look innocent) Yeah.
SPIKE
Had to make a choice.
BUFFY
It really is OK.
AMANDA
What's a chip?
KENNEDY
They removed the chip?
CHAO-AHN
(speaking Chinese)
SUBTITLE: I don't understand a word any of you are saying.
Cut to:
Opening Credits.
Pt 1:
BUFFY'S
ROOM AT BUFFY'S HOUSE - DAY
Buffy's sitting at her vanity, putting on large gold hoop earrings. She's
wearing a thin v-necked red sweater. Giles walks down the hall toward her
room and stops at the doorway.
GILES
You know this is very dangerous.
BUFFY
Ah, you just heard the horror stories. Wear hoops, they'll catch on something,
rip your lobe off. Lobes flying everywhere.
GILES
(rolls eyes) That's not what I'm talking about.
BUFFY
You mean Spike not having a chip. Free range Spike?
GILES
I have to ask - why on Earth did you make that decision?
BUFFY
Guess it was instinct, like you were talking about.
GILES
I made that up! (walks into the room) I knew the Bringer was there because his
shoes squeaked. (sits on her vanity) Buffy, it's crucial that we keep these
girls safe. I can't count the dangers - the First, the Bringers, random demons,
and now Spike?
BUFFY
And the Principal.
GILES
What?
BUFFY
Oh, nothing much. He was in the school basement, holding a shovel, acting evasive.
Plus, he's got that whole "too charming to be real" thing going on.
I'm looking into it.
GILES
(stands) Oh, well that sounds very responsible of you. Balances out the vampire-on-the-loose
issue.
BUFFY
(stands, walks across the room to fold laundry) Nothing's changed, Giles. Spike
had a chip before, remember? When the First had him kill and sire all those
people.
GILES
We have no idea if his chip was working then. (takes off glasses) A new chip
might restrain him should the First attempt to activate him again.
BUFFY
(turns to face Giles) Spike has a soul now. That's what's gonna stop him from
hurting people.
GILES
Buffy...
BUFFY
He can be a good man, Giles. I feel it. But he's never gonna get there if we
don't give him the chance. (walks to her closet to put the clothes away)
GILES
(walks up to Buffy) Buffy, I want more for you. Your feelings for him are coloring
your judgement. I can hear it in your voice. (Buffy sighs) And that way lies
a future filled with pain. I don't want that for you.
BUFFY
We haven't - (looks uncomfortable) Things have been different since he
came back.
GILES
It doesn't matter if you're not physical with each other anymore. There's a
connection. You rely on him, he relies on you. That's what's affecting your
judgment.
BUFFY
You think I'm losing sight of the big picture, but I'm not. When Spike had that
chip, it was like having him in a muzzle. It was wrong. You can't beat evil
by doing evil. I know that. (walks out of the room)
GILES
(calling after her, calmly) Well, I hope you're right. You're gambling with
a lot of lives.
Cut to:
HOME
IMPROVEMENT STORE - DAY
Xander's standing around in a crowd of customers watching a green-aproned
store employee cut a length of pipe with a huge power tool. He looks around
and notices a pretty woman looking at the spools of rope on a display. Xander
walks over to her, taking off his safety glasses.
XANDER
Hi, can I help? You seem kind of confused.
WOMAN
(holding a rope, looks at his clothes) You aren't wearing a green apron.
XANDER
Confused, but sort of randomly observant.
WOMAN
Sorry, I just mean... you don't work here, right?
XANDER
No. Right. Just helpful. I'm Xander.
WOMAN
Lissa. (they shake hands) And I guess I could use some advice. I can't even
figure out if I've got the right kind of rope.
XANDER
That depends on what you need it for. Something like functional around the house,
or, you know, recreational. (Lissa raises her eyebrows and grins) By which I
mean, for example, boating or mountain climbing - not for tying someone up for
sexy, funky fun. (Lissa giggles) In conclusion, rope can be useful in various
ways.
WOMAN/LISSA
I have a kayak.
XANDER
Again with the random. I like it.
LISSA
Sorry. I need to store my kayak. So I was thinking maybe I could sorta suspend
it from the ceiling in the garage with ropes and a pulley or a winch thing.
XANDER
Not a bad plan. You'll need stronger rope than that. Wanna have coffee with
me later?
LISSA
What?
XANDER
Oh, you're the only one that gets to be random? (Lissa smiles)
Cut to:
PRINCIPAL
WOOD'S OFFICE AT SUNNYDALE HIGH - DAY
While no one is looking, Buffy walks into the office labeled "Principal.
Robin M. Wood" on it and closes the door behind her. She looks through
files on his desk, then looks around the room.
BUFFY
Now, if I were a sign of being evil, where would I be?
Buffy notices a wall cabinet, and walks up to it. Before she can open it,
Principal Wood walks into the office.
PRINCIPAL WOOD
Uh, Buffy?
BUFFY
(turns to face him) Principal Wood. It's you.
PRINCIPAL WOOD
You looking for something?
BUFFY
File folders. And mechanical pencils. Well, I want to write on a file folder
with a mechanical pencil.
PRINCIPAL WOOD
The supply cabinet in the outer office has those things.
BUFFY
Oh, this isn't a supply cabinet? My bad. OK. Thanks. (starts to walk out)
PRINCIPAL WOOD
(steps in her path) Hey, Buffy...
BUFFY
Yeah?
PRINCIPAL WOOD
Um, what're you doing tonight?
BUFFY
Preparing for tomorrow's counseling sessions.
PRINCIPAL WOOD
No, really.
BUFFY
Watching a reality show about a millionaire.
PRINCIPAL WOOD
Well, then, I'd, um - I'd like to take you out to dinner, if that's all
right with you. I mean, you don't have to. I'm certainly not saying come to
dinner if you enjoy having a job. (chuckles then realizes what he said) You
know, I may have to make up a document saying I didn't just say that and have
you sign it.
BUFFY
(smiles) Sure. I'd be happy to have dinner with you.
PRINCIPAL WOOD
Great. I'll draw up the paperwork.
Buffy nods and walks out of the office. Principal Wood closes his office
door after her, then takes a bloody handkerchief out of his breast pocket.
He unfolds the bloody handkerchief, revealing a knife inside. Wiping the blood
off the knife, he walks toward the cabinet Buffy had been curious about. Upon
opening it, there's just a standard dry-erase board inside until the Principal
raises it out of the way to show a hidden compartment behind it where dozens
of exotic knives are displayed. He puts the knife he's holding back in it's
place and looks over his shoulder toward the door.
Fade to black.
Pt 2:
LIVING
ROOM AT BUFFY'S HOUSE - DAY
Buffy's sitting on the couch while Willow's folding laundry from the laundry
basket beside her.
WILLOW
(folding socks) So, he asked you out to dinner?
BUFFY
Yeah. Isn't that weird? I mean, he's a Principal. He's a young, hot Principal
with earrings, but he's a Principal. Why do you think he asked me out? I mean,
he could be interested, right?
WILLOW
Yeah, sure. You're a frisky vixen.
BUFFY
Or, it could be work-related. Maybe I'm getting promoted for doing such a good
job.
WILLOW
(laughs, then notices Buffy's hurt look and gets serious) Oh, right, that - that
makes sense too.
BUFFY
Or, maybe he knows that I suspect he's up to something, and he's taking me out
to kill me.
WILLOW
(shrugs) Well, you'll have to dress for the ambiguity.
BUFFY
You know, it's not even that he's acting that suspicious. It's just - there he
is. On the hell mouth. All day, every day. That's got to be like being showered
with evil. Only from underneath.
WILLOW
Not really a shower.
BUFFY
A bidet. Like a bidet of evil.
WILLOW
Buff, if he's really interested, (smiles) are you interested back?
BUFFY
(blushes) I don't know. He's good-looking, and he's - he's solid, he's smart,
he's normal. So, not the wicked energy, which is nice 'cause I don't want to
only be attracted to wicked energy. Or what if he is wicked, in which case,
is that why I'm attracted to him?
WILLOW
I'm gonna wait for that sentence to come around again before I jump on.
BUFFY
(grins) You know what? Yeah, I mean I think I like him. And he'd be good for
me.
WILLOW
(nods) Right. Help you move on.
BUFFY
(defensively) Why does everybody in this house think I'm still in love with
Spike?
WILLOW
No, I-I meant move on from this imposed super-self-reliance. Let somebody get
close.
BUFFY
Oh. (the front door opens) Hey, someone's here.
XANDER
(comes in through the front door, giddy) Guys, guess what happened.
WILLOW
(grins) Buffy got a date!
XANDER
(excited) No, I did. (looks at Buffy, frowning) Fine. Way to steal my thunder.
BUFFY
Sorry. If it makes you feel better, it's Principal Wood, and I think he's aligned
with the First.
XANDER
Also, like ten years older than you, right?
WILLOW
(teasing) Which is like 100 years younger than your type!
BUFFY
Yay. Someone who doesn't remember the Industrial Revolution.
WILLOW
I think they're gonna end up making out. (mocking, holds a pair of socks to
her chest lovingly) "Oh, Principal Wood," she'll gasp, "I love
your lack of wicked energy."
BUFFY
(throws a pair of socks at Willow) Watch it, or I'm gonna make you talk about
your new girlfriend who you hold hands with under the dinner table and think
we don't notice.
WILLOW
How 'bout yours, Xander. Is she evil?
XANDER
Well, she's interested in me, so there's a good chance, but I'm hoping for
the best. We're going for coffee. She has a kayak -
Giles and Chao-Ahn come through the front door, loaded with overflowing
shopping bags.
GILES
(putting down the shopping bags) Dear lord, I hate that mall. The shop assistants
are rude. And everything in the Food Court is sticky.
WILLOW
Looks like you found her some stuff.
GILES
Oh, hello. Yes.
XANDER
That's gotta be rough. Getting just like pulled out of your home, being told
you're a potential slayer, not being able to bring anything.
GILES
Yes, and the language barrier is formidable. I was concerned that my Mandarin
is a little thin, but as it turns out, she speaks Cantonese, which is thinner.
But we muddled through, and, as I suspected, ice cream is a universal language.
CHAO-AHN
(speaking Chinese)
SUBTITLE: Like many from Asia, I am lactose intolerant. I'm very uncomfortable.
BUFFY
(smiling, nodding, talking through her closed teeth) What'd she say?
GILES
She's grateful to be in the land of plenty. (to Chao-Ahn, slowly) Let's, um,
go and put away your new clothes. (picks up bags and walks upstairs; Chao-Ahn
nods and follows)
BUFFY
Hey, Will, do you think you can do a computer check on Principal Wood. See if
you can find anything out.
WILLOW
Yeah, sure. Want me to check your girl out while I'm at it, Xand?
XANDER
Nope. I'm going in blind. I'm gonna be an optimist about this. Why go looking
for trouble? If it's gonna find you, it's gonna find you.
Cut to:
KITCHEN
AT BUFFY'S HOUSE - DAY
Andrew's standing by the new microwave that's on the counter, reading the
manual, holding a highlighter pen.
ANDREW
(reading the cover page) "Getting the most out of your new microwave."
(nods) Hm. Nice. (opens the manual, reading) "Clock comma setting the,
page 3." (leans the manual on the countertop to highlight text in it)
JONATHAN/FIRST
You don't need a manual, it's intuitive. (Andrew notices Jonathan/First and
backs away into the corner) There's a button marked "Clock Set" for
pity's sake. What kind of a nerd are you? (scoffs) No wonder you crashed your
jet pack.
ANDREW
No, get thee behind me. (takes a cross out of his jeans pocket) I rebuke thee.
(holds out the cross) Take that, The First!
JONATHAN/FIRST
(rolls his eyes) Look, you monkey. (walks up to Andrew, sticks out his hand
and passes through the cross) Ooh. Ahh. It burns as it ineffectually passes
through me. (puts his hand at his side) I'm not corporeal, remember. Also, not
a vampire, so - a cross?
ANDREW
(puts the cross on the counter) What do you want from me, Jonathan slash The
First?
JONATHAN/FIRST
I have an assignment for you.
ANDREW
Um, I follow Buffy's orders now. I'm redeeming myself for... killing you - I
mean, for... killing Jonathan.
JONATHAN/FIRST
Really, why? (laughs) So you can earn a spot on her little pep squad? You think
she'll ever let you in? You're a murderer.
ANDREW
(nods) Confidentially, a lot of her people are murderers. Anya and Willow and
Spike.
JONATHAN/FIRST
Interesting. And you're the only one she makes seek redemption. Does that seem
fair to you?
ANDREW
(squirms in place) I guess not.
JONATHAN/FIRST
You know we're headed toward a fight, don't you?
ANDREW
Yeah.
JONATHAN/FIRST
What do you think the world's gonna be like after that? Newsflash. There's not
going to be a slayer gang anymore. But there is going to be Evil. And as long
as there is Evil, I live. And as long as I live, you can dwell at my side.
ANDREW
That sounds nice.
JONATHAN/FIRST
Your assignment won't be hard. They're just little girls.
ANDREW
You want me to hurt the girls?
JONATHAN/FIRST
Uh, no, not all of them. Not Dawn, not Anya, not Willow, and not your friend
Buffy. Just the potential slayers.
ANDREW
That's - that's horrible. (points) I'm-I'm gonna scream and - and get Buffy in
here.
JONATHAN/FIRST
She can't see me, and I'm gonna keep talking until you hear what I have to say,
so listen up, OK? The girls must die.
ANDREW
(breathes deeply) I could never do that. All those girls, a-all that blood - I-I
didn't like the stabbing before.
JONATHAN/FIRST
You don't have to stab. This'll be easy. Andrew, I want you to think. Willow
brought something to this house - something good, something you can use.
ANDREW
(thinks for a moment, then gestures spokes-model-style) The new microwave?
JONATHAN/FIRST
(blinks deliberately, then glares) The gun. I want you to think hard. Where
did they put the gun?
ANDREW
Hmm.
Cut to:
UPSTAIRS
BATHROOM AT BUFFY'S HOUSE - DAY
Anya's cleaning a spot on a blouse while Buffy waits wearing jeans and a lace
camisole.
ANYA
I don't think it's really a date. That's what I think. (scrubbing the shirt)
BUFFY
Well, it is unclear. That's why I chose a top that says, you know, I'm comfortable
in a stodgy office or a swinging casual setting - or killing you, you know, if
you're a demon.
ANYA
It also says I sometimes get blood on my shoulder. (looks at the shirt again)
Or it might be pizza. (hands the shirt to Buffy) I don't think I can fix it.
BUFFY
Thanks for trying.
ANYA
And I wasn't talking about your date anyway. I was talking about this sham date
of Xander's. I think it's part of a plan to make me jealous.
BUFFY
(shakes her head) Well, it's not working.
ANYA
Are you nuts? Of course it's working. Observe my-my bitter ranting. Hear the
shrill edge of hysteria in my voice.
BUFFY
Um, I should really go find something else to wear. (walks out of the room)
ANYA
Fine, go. Leave me here to stew in my impotent rage. (Buffy stops, turns to
look at Anya) I'm also gonna pee, (nods) so you should probably go. (shrugs)
Cut to:
UPSTAIRS
HALLWAY AT BUFFY'S HOUSE - DAY
Buffy steps out of the bathroom into the hallway to find Spike walking down
the hall. They are face to face. Buffy stops in her tracks as soon as she
sees him and tries to cover herself with the stained blouse.
SPIKE
You look nice.
BUFFY
Oh, thanks. (looks down at her camisole) Uh, traditionally, one wears something
over this.
SPIKE
Heard you got a date.
BUFFY
(nervous) Well, it's unclear. I mean, I have this whole theory about a promotion.
Or he's evil.
SPIKE
Buffy, I'm all right.
BUFFY
You don't have to -
SPIKE
What? Be noble? I'm not. Really, I'm all right. Think I still dream of a crypt
for two with a white picket fence? My eyes are clear.
BUFFY
Good. I'm glad. Thank you.
SPIKE
Never much cared for picket fences, anyway. Bloody dangerous.
BUFFY
You should try this too. The going out thing, I mean. I mean, there's that girl
you brought to Anya and Xander's not-a-wedding.
SPIKE
Oh, yeah, right. There's always girls who like the look - bad boy, you know.
(nods) Does it for some of them.
BUFFY
Yeah, I can see that. I should go. I don't wanna be late.
Buffy walks down the hall past Spike.
Cut to:
COFFEE
SHOP - NIGHT
Xander's sitting alone at a table, staring at the clock on the wall; it reads
8:30. Xander sighs to himself for a moment, then Lissa walks in.
XANDER
Lissa! Hi. (stands) I was afraid you weren't coming.
LISSA
You said 8:30, right? Did you think I was going to stand you up? (sits)
XANDER
(sits) Well, it would be kind of karmic.
LISSA
What?
XANDER
Forget it. I'm just glad you're here. You're gonna love the coffee. Got myself
a redeye - it's black coffee with a shot of espresso. (Lissa grabs his
mug to inspect it, Xander tries unsuccessfully to stop her) It's kinda rough
if you're not used to that sort of thing -
LISSA
(tastes Xander's drink) It's hot cocoa.
XANDER
Well, sometimes I don't sleep too good. I just lost macho points, didn't I?
LISSA
(shrugs) Hey, who wants macho? I like that you like hot cocoa. (to waiter) Redeye,
please. (shrugs) Sounded good.
Cut to:
DINING
ROOM AT BUFFY'S HOUSE - NIGHT
Willow's sitting at the dining room table, using her laptop, with Dawn and
Amanda on either side of her and Kennedy behind her looking on.
DAWN
Nothing? No records or certificates? College transcripts?
AMANDA
Looks like the only stuff in the system about Principal Robin Wood is super-recent.
Like, since he moved to Sunnydale.
WILLOW
I've Googled 'til I just can't Google no more. He's not in there.
KENNEDY
Well, that's suspicious.
Anya storms into the dining room holding a stack of papers. Giles follows.
GILES
Anya, calm down. They're educational -
WILLOW
(Anya hands the papers to Willow) What's this?
Willow flips through the papers. They are crude stick-figure drawings in
black and red marker depicting "Bringer" on one, "Vampire"
on another, and "The Slayer (Buffy)" as well. There are more, but
we get the idea. Each one shows a gruesome, bloody mess as the creature shown
is drawn killing someone or something.
ANYA
Giles made them for Chao-Ahn, and now she's locked herself in the bathroom.
There's other girls upstairs, and they're starting to complain.
GILES
Those are flashcards. I-I made them to facilitate her training. Chao-Ahn never
had a watcher. The language problem -
WILLOW
You showed her these?
GILES
I wanted her to understand the seriousness of her situation.
DAWN
Holy crap!
Dawn holds up one of the pages labeled "Turok-Han" that shows
the creature standing over a girl that's been ripped in half along her waistline,
spilling a huge pool of blood everywhere.
GILES
Perhaps I'll rethink the approach.
WILLOW
In the meanwhile, wanna help us get researchy? We're trying to invade Buffy's
date's privacy.
GILES
Buffy has a date?
ANYA
(rolls her eyes) Yes... Didn't you hear? Everybody has a date. Buffy has a date.
Willow's been completely making out with this girl -
KENNEDY
(stands, pouts) Hey!
ANYA
Xander's out with some hardware-store-whore. It's Date Fest 2003. (sits)
WILLOW
Actually, Buffy's investigating Principal Wood. It's not a date.
GILES
Really.
WILLOW
Might be a date.
GILES
For God's sake! How can anyone think about their social life? We are about to
fight the original primal evil. These girls are in mortal danger. Didn't you
see the flashcards? This isn't right.
From behind the French doors, Andrew is stealthily watching them talk in
the dining room.
Cut to:
ALLEY
IN SUNNYDALE - NIGHT
Buffy and Principal Wood are walking down a dark alley side by side. Buffy
looks around, uncomfortable.
BUFFY
This isn't right. (stops walking)
PRINCIPAL WOOD
I know it doesn't look promising, but I swear this place is great. It's the
best kept secret in town. It's just right down this way. (they start walking
again)
BUFFY
Well, it is one of the nicer dark alleys.
PRINCIPAL WOOD
I promise you, it's just a little bit further.
BUFFY
OK...
As they walk down the alley, a vampire steps out in front of them. Then
two more step up behind them, growling. Buffy starts fighting them immediately.
There's a horde of them now. She manages to punch them and kick them away
from her one by one until she has opportunity to get her stake out of her
purse. She stakes one, then another, then another.
BUFFY
(to the Principal) You set me up, you son of a -
Buffy realizes that Principal Wood is also fighting off vampires. Without
her help.
BUFFY
(confused) What?
Principal Wood overpowers one of the vampires and stakes him. Then knocks
the last one to the ground, staking him too. He flips the stake in his hand,
then returns it to his belt holster as he walks back to Buffy.
PRINCIPAL WOOD
(offers her a hand to help her stand) I guess we should talk.
Fade to black.
Pt 3:
ALLEY
IN SUNNYDALE - NIGHT
Resume. Buffy's staring at Principal Wood.
PRINCIPAL WOOD
The restaurant's right there. (gestures to the door)
Buffy walks with him into the restaurant.
Cut to:
COFFEE
SHOP - NIGHT
Lissa and Xander are sitting at a table talking.
LISSA
And you still have to see her, like, everyday?
XANDER
Yeah, but I guess that's good.
LISSA
How is that a good thing? I mean, it seems like she never let you forget what
happened.
XANDER
Well, it's on her mind a lot right now because our anniversary's coming up - I
mean, it would have been our anniversary. And maybe I shouldn't be allowed to
forget it. I did - it was a bad thing, and it hurt her real bad.
LISSA
And if you'd gone ahead and married her, even though you had doubts, that would've
been better?
XANDER
I guess not.
LISSA
Sounds to me like, in the long run, you're both better off. (flirtatiously)
I know it turned out good for me, and that's what really matters, right?
XANDER
(laughs, nods, looks into her eyes) I should have taken you on a nicer date
than this.
LISSA
(smiling sexily) Well, I can think of something fun to do.
Cut to:
ROMANTIC
FRENCH RESTAURANT - NIGHT
Buffy and Principal Wood are sitting across from each other at a small table
in a very elegant, romantic restaurant. Principal Wood is talking to the waitress,
ordering from the menu.
PRINCIPAL WOOD
(to waitress) Thank you.
BUFFY
This place is nice. How the hell did you do that?
PRINCIPAL WOOD
(chuckles) I've had a little practice. Never took on two at once before, but
I have taken out a vamp here or there. And some demons.
BUFFY
So, you're freelance?
PRINCIPAL WOOD
Hm... freelance - (nods) I guess that's a good way to put it.
BUFFY
And you know who I am?
PRINCIPAL WOOD
You're the slayer.
BUFFY
Right. OK, um, so I'm guessing that you don't work in an office 15 feet above
the hell mouth because you enjoy educational administration?
PRINCIPAL WOOD
Well, I actually do enjoy the work, but yeah. Yeah, you're right. I maneuvered
myself into that school, that office - just like I maneuvered you there. The
hell mouth draws the bad things in close, and now we're headed for something
big, Buffy. Really big, and I need to be here when it happens. I want to help.
BUFFY
So, y-you didn't hire me for my counseling skills?
PRINCIPAL WOOD
(laughs heartily, then sees Buffy's hurt look; then straight-faced) They're
valuable too.
BUFFY
Wh-why didn't you tell me about you?
PRINCIPAL WOOD
I wasn't sure about things yet.
BUFFY
Y-you didn't think you could trust me?
PRINCIPAL WOOD
No, no. No, I wasn't sure I was ready yet - ready to jump into this fight.
BUFFY
And now you are?
PRINCIPAL WOOD
Well, now the fight is starting - or starting to start - and I don't
have time to worry anymore. I have to do something.
BUFFY
So, you knew who I was before you even came here.
PRINCIPAL WOOD
Yes.
BUFFY
How? How do you know about slayers?
PRINCIPAL WOOD
Right. (nods) OK. See, when I was a little boy, my mother was one. The one,
actually - the slayer.
BUFFY
Your mother - (sighs) Wow, I didn't know that any slayers had children.
PRINCIPAL WOOD
Well, I don't know of any others. She was killed when I was four. I still remember
her, but it's a little...fuzzy? You know?
BUFFY
(nervously) Um, something got her... a demon - ?
PRINCIPAL WOOD
A vampire. Oh, man, I went through this whole "avenging son" phase
in my twenties, but I never found him. So, now I just dust as many of them as
I can find. I figure, eventually I'll get him. That's probably why we got jumped
outside. I'm not very popular with the bumpy-foreheaded crowd, and I bet you
aren't either.
BUFFY
(shakes head) No. Not most of them. Um, so, do you have any slayer powers? (giggles)
I'm sorry, I - I'm just so floored. I-I have no idea what to ask.
PRINCIPAL WOOD
No, I don't have powers. No super-strength or mythic responsibilities. I'm just
a guy with a few skills 'cause her watcher took me in and raised me.
BUFFY
So, you decided to tell me?
PRINCIPAL WOOD
That's right.
BUFFY
In a darkened, little romantic French restaurant?
PRINCIPAL WOOD
Um, yeah...(nods) Yeah, I'm not really sure how that happened, but yeah.
Cut to:
LIVING
ROOM AT BUFFY'S HOUSE - NIGHT
Jonathan/First is standing in the middle of the room, talking to someone.
JONATHAN/FIRST
Did you find the gun?
He's talking to Andrew, who steps forward into view holding a brown paper
bag folded over neatly at the top.
ANDREW
Yes, it was in Buffy's underwear drawer. She has nice things.
JONATHAN/FIRST
Show me.
ANDREW
Well, I didn't take 'em, but there were thongs and regular underpants -
JONATHAN/FIRST
(annoyed) Show me the gun.
ANDREW
Oh. (opens paper bag and holds it out toward Jonathan/First) Here. (Jonathan/First
looks in the bag to see the gun at the bottom) Willow tried shooting Kennedy
with that.
JONATHAN/FIRST
Great. There's gonna be panic and fleeing when you start firing, so you're gonna
have to get them trapped someplace like the basement.
ANDREW
And we're killing them because...?
JONATHAN/FIRST
Because they're the future of the slayer line. When they're gone, the line is
gone.
ANDREW
Uh-huh, uh-huh. Um, so why not have Spike do it? He's the one with the trigger.
JONATHAN/FIRST
It's not time for him yet. You can wait for the next time they're training in
the basement, but don't rely on a locked door to keep them in. You'll need more.
ANDREW
(nods) OK. (walks nervously toward the desk, leans against it) Say, um, do you
have any weaknesses I should know about if I'm gonna work for you, like, uh,
kryptonite or allergies?
JONATHAN/FIRST
What are you asking?
ANDREW
Oh, nothing, um... (nervously plays with items on the desk) Are you - are
you made out of the evil impulses of humans, so if everyone was unconscious
at the same time, you would fade away?
JONATHAN/FIRST
You're asking a lot of questions.
ANDREW
Yes, well, I, uh, because... 'cause I'm evil, and I want to do the best I can
at that, so I want to... (clears throat) know stuff like when - when do we kill
Buffy?
JONATHAN/FIRST
Are you wearing a wire?
Cut to:
DINING
ROOM AT BUFFY'S HOUSE - NIGHT
Willow's sitting at the table wearing headphones. Dawn, Kennedy and Amanda
are sitting at the table with her. Suddenly Willow winces and takes the headphones
off too quickly.
KENNEDY
Wh - what's going on?
Willow has a panic-stricken look on her face.
Cut to:
LIVING
ROOM AT BUFFY'S HOUSE - NIGHT
Andrew stares nervously at Jonathan/First.
JONATHAN/FIRST
(walks toward Andrew) You think you can trick the First? You think you could
squirm free? I hold you, Andrew. I made you do this...
Jonathan/First presses the palms of his hands against his shirt. They make
a squishy sound. He pulls his hands away palm-up to show Andrew they are smeared
with congealing blood.
JONATHAN/FIRST
(softly) Jonathan suffered. He was your friend, and he trusted you, and now
he spends eternity in pain because of what you did.
ANDREW
No. What's happening to you?
Jonathan/First's body is deteriorating in front of Andrew's eyes as it progresses
slowly through the stages of decay. The skin is glistening and turning a greenish-brown
color.
JONATHAN/FIRST
This is what you did to him. Took away everything he was and left him like this.
You started down a road with that action. You have to keep going.
ANDREW
Stop looking like Jonathan. You're not him. You're the First, and you're trying
to get me to shoot innocent girls, but I won't do it. I'm good now. When the
fight is over, I'm gonna pay for killing Jonathan.
JONATHAN/FIRST
(shakes his head) You're gonna pay for more than that. Do you know why? Because
the biggest, baddest First Evil in the world's angry with you.
Cut to:
DINING
ROOM AT BUFFY'S HOUSE - NIGHT
Willow's still listening in on Andrew's conversation with the First, wearing
her headphones again.
JONATHAN/FIRST (O.S.)
(echoy) You think this was smart?
WILLOW
(gasps, picks up her pen and paper) Wait. I'm hearing something.
JONATHAN/FIRST (O.S.)
You think you can trick me, women?
KENNEDY
(stands, looks around nervously, takes off Willow's headphones) It's not in
the headphones. It's out here.
JONATHAN/FIRST (O.S.)
You only hear what I want you to hear. You only see what I want you to see.
Jonathan/First appears behind Amanda in a flash of light. His body is very
decayed now, glistening and purplish with one side of his face rotting faster
where the flesh is opened and the eye is white. Amanda screams and the other
girls back away, frightened.
JONATHAN/FIRST
So many dead girls. There'll be so many. (disappears in a flash of light)
Cut to:
UNKNOWN
- NIGHT
Xander's looking down at someone, talking, wearing no shirt.
XANDER
I knew it.
Pan out to show he's in the basement of Sunnydale High, tied to the wheel
that Spike was hung on when he was drained to open the Seal of Danthazar.
Lissa is standing near the pulley.
XANDER
See? I knew it.
LISSA
Thanks for your help selecting the ropes. The one I picked wasn't strong enough.
XANDER
Yeah, that would've been bad. Listen, is this because I'm friends with Buffy?
LISSA
Who's Buffy?
XANDER
The slayer.
LISSA
You know the slayer?
XANDER
(Lissa starts pulling on the rope, lifting the wheel Xander's attached to into
the air) This can't just happen. It can't just keep happening that demon women
find me attractive. There's gotta be a reason.
LISSA
You just seem like a nice guy, that's all. And I wanted to get to know you.
XANDER
And kill me?
LISSA
Sure. (ties off the rope) Do the ropes hurt?
XANDER
Yes.
LISSA
(smiles) Good.
Cut to:
LIVING
ROOM AT BUFFY'S HOUSE - NIGHT
The gang's gathered in the living room for a post-First-encounter pow-wow.
Dawn, Andrew, Giles, Anya, Willow, Kennedy, Amanda, and Spike are there.
WILLOW
(with Kennedy sitting on the chair, leaning over Willow's shoulder) So, we're
thinking it didn't go too well.
DAWN
(to Andrew, removing the tape that held the wire to his chest) You should've
let me do this fast.
ANDREW
(wincing) No, no, no. I hate that. Ow.
SPIKE
You tried to recall the ultimate evil? Why? In a complex effort to royally piss
it off?
KENNEDY
Guess we succeeded pretty good, huh?
ANDREW
God, I never should have gone in wired. (whiny) Redemption is hard.
GILES
Getting back to Spike's question, why did you try to recall it?
ANDREW
Ooh!
WILLOW
To study it. To see if we could figure something out from what it was saying.
Because, guys, we have to face it, we know nothing about the First.
ANDREW
Owie! Ow ow!
ANYA
Well, we know not to record it. That's something.
SPIKE
Why did it appear to this one, then? (gestures to Andrew) I thought it was
supposed to be pulling my strings.
ANDREW
It said it wasn't time for you yet. (Dawn pulls off the last piece of tape)
Ow. I'm frightened. And my chest hurts where the tape was. (sits down)
DAWN
It's OK, Andrew. You did good. You stood up to it. That's really amazing.
ANDREW
Thank you. You're a peach.
ANYA
Yeah. What did it want you to do, anyway?
ANDREW
Shoot all the girls.
DAWN
(worried) Shoot girls?
ANDREW
Not you, just the potentials.
DAWN
(relieved) Oh, well that's something, anyway. (covering for her relief, looks
around, sounding concerned again) Something tragic.
GILES
This proves my point. This time is crucial. We should be circling the wagons
instead of doing things like going out on dates when - when gunplay is imminent.
Willow, call Buffy. Get her back here. We need to dispose of the gun and-and
figure out our next move.
SPIKE
I'll go get her.
WILLOW
I'll call. (a cell-phone rings in the background)
AMANDA
Bet that's her. Sometimes you're thinking about calling someone -
WILLOW
(looking at her phone) No, it's a text message. (reading) Oh, it's from Xander.
It's one of our signals.
AMANDA
Signals?
WILLOW
Yeah, the system we set up a while back. Like codes. Uh, this one's either "I
just got lucky, don't call me for a while" or "my date's a demon who's
trying to kill me."
KENNEDY
You don't remember which?
WILLOW
It was a long time ago.
DAWN
Well, if we play the percentages...
GILES
Something's eating Xander's head.
ANYA
Say, that's gratifying.
ANDREW
Buffy will know what to do.
SPIKE
I'll go get her. (starts to go)
WILLOW
That's ok. (Spike sighs) We don't even know where she went. (a cell phone
rings in the background, zoom in on Buffy's cell phone that says "Willow
Calling." Willow picks up Buffy's phone from the table beside her.) That's
not good.
SPIKE
I'll go get Buffy. I can probably still track her scent. She'll be worried about
the boy. (walks out the door)
Cut to:
ROMANTIC
FRENCH RESTAURANT - NIGHT
Buffy and Principal Wood are on the dessert course now. Buffy's eating something
that gives her great delight.
BUFFY
Oh, my God! Mmm. Oh, my God. That might be the best thing I've ever had in my
mouth.
PRINCIPAL WOOD
Isn't it good? They soak the pears in brandy. Here, you need a bite with sauce.
(he feeds a bite to Buffy)
BUFFY
(looks up while being hand-fed by the Principal, sees Spike) Mm. What are you
doing here?
PRINCIPAL WOOD
(to Buffy) Is there a problem?
SPIKE
It's Xander.
Buffy's expression melts into one of worry.
Cut to:
BASEMENT
AT SUNNYDALE HIGH - NIGHT
Xander's suspended from the ceiling, tied to a wheel. Lissa's standing below
him.
XANDER
Look, I know what happens if that seal down there gets all excited. I don't
think you understand what you're getting yourself into.
LISSA
The seal opens, and a vicious feral vampire creature comes out.
XANDER
Well, then you do understand. But, uh, what makes you think that's, like, a
good idea?
LISSA
The end is coming. The final fight, and everyone is hearing the drumbeat. It's
telling us to pick our partners, align ourselves with the good or the evil.
Lissa reaches behind her to grab a long, thin knife. When she turns back
to face Xander, her eyes have changed to a yellow lizard-eyed look. She stabs
Xander in the belly.
XANDER
Aaah! (blood flows from his wound down the knife onto the seal below)
LISSA
Couldn't have done it without you, Xander. Thanks for the great date.
Fade to black.
Pt 4:
PRINCIPAL
WOOD'S CAR - NIGHT
Principal Wood is driving the car, with Buffy as passenger and Spike in the
back seat. Buffy's very tense and uncomfortable looking, and Spike's crouched
down in the corner of the back seat.
BUFFY
You sure he's in the high school?
SPIKE
Willow did a locator spell. Usual stuff.
PRINCIPAL WOOD
I'm not surprised. That school's at the center of everything.
BUFFY
(sighs) How much longer 'til we get there?
PRINCIPAL WOOD
Ten minutes. (Principal Wood watches the rear view mirror suspiciously) So,
how do you two know each other?
BUFFY
(answering too fast) He works with me. Uh, you know, in the struggle against
evil.
PRINCIPAL WOOD
Mm. Cool.
Cut to:
BASEMENT
AT SUNNYDALE HIGH - NIGHT
Buffy bursts into the room where Xander's strung up.
BUFFY
Xander!
Buffy sees Xander hanging from the ceiling, but runs toward Lissa first,
punching her and disarming her by knocking the knife from her hand.
XANDER
Buffy!
Buffy and Lissa are fighting when Spike enters the room. Lissa starts
whaling on Spike. She kicks Buffy away, knocking her to the ground. She pushes
Spike down and starts strangling him, bringing forth Spike's vampire facade.
Principal Wood sees Spike's face change.
PRINCIPAL WOOD
He's a vampire.
XANDER
Oh, God! Hurry!
Principal Wood stops staring at Spike and goes to aid Xander, cutting
the ropes that hold his hands to the wheel, but the seal is already beginning
to open. Across the room, Buffy knocks Lissa off of Spike. A Turok-Han is
reaching out of the seal as it opens, but Principal Wood escapes its grasp
as he finally gets Xander down from the wheel. The seal slams shut, cutting
off the arm of the Turok-Han that was reaching out. Principal Wood sets Xander
down against a wall.
Buffy and Lissa are still fighting, struggling over possession of a sword.
Lissa knocks Buffy across the room, but Buffy holds on to the sword. Spike
engages in fighting Lissa, but he's getting his butt kicked. Buffy pulls Lissa
away from Spike and cuts off Lissa's head with the sword. As her head is separated
from her body, Lissa's true form is revealed as a gruesome pinkish creature
with hairy shoulders and stitches all over its head and nasty black shark
teeth on its lipless jaws.
BUFFY
(to Spike) Hey.
Buffy goes to Spike's side to make sure he's all right. She holds Spike's
hand, but sees Principal Wood staring at them as she comforts him. She stands
and goes to Xander. Principal Wood and Spike follow.
PRINCIPAL WOOD
I think your friend's gonna be OK.
BUFFY
Hey, Xand. I'm here.
XANDER
(grimacing) So, how's your date going?
Buffy looks at Principal Wood, who's staring at Spike. Spike glances from
Buffy to Wood.
Cut to:
LIVING
ROOM AT BUFFY'S HOUSE - NIGHT
Dawn's staring out the front door. Anya's pacing. Willow and Andrew are sitting
on the couch.
ANYA
Where are they? It's after 2. I can't believe Buffy hasn't brought him home
yet. His slut ate him up.
WILLOW
His slut didn't eat him up. And besides, I thought you were all angry at him.
ANYA
My feelings are changeable but intense.
ANDREW
I understand your fear, Anya. I know fear myself 'cause, you know, I, um, I
enraged that primal force.
GILES
(walks into the room, holding a glass of milk) They're not back yet?
ANYA
(to Giles) I'm worried. I-I think we should go find them. Xander could be injured
or trapped or eaten up.
GILES
(looks at his watch) It is late. Perhaps a little reconnaissance might be helpful.
CHAO-AHN
(comes downstairs, worried, wearing a red silk robe. speaking Chinese)
SUBTITLE: Why is everyone up? Are the flashcard monsters attacking?
GILES
(to the others) She says she can't sleep. (to Chao-Ahn) Um, I made myself some
warm milk. You can have it.
CHAO-AHN
(speaking Chinese angrily)
SUBTITLE: You're trying to kill me!
Chao-Ahn walks back upstairs.
GILES
She's shy.
DAWN
(looking out the front door) They're back! Oh, here they come.
ANYA
(goes to front door) Xander all right?
DAWN
Looks OK.
ANYA
Damn him!
Buffy leads Xander into the house. He's got his shirt wrapped around his
waist as a surrogate bandage. Spike follows them into the house.
WILLOW
What happened?
XANDER
What do you think happened? Another demon woman was attracted to me. (Anya rolls
her eyes) I'm going gay. I've decided I'm turning gay. Willow, gay me up. Come
on, let's gay.
WILLOW
(softly, a little embarassed) What?
XANDER
You heard me. Just tell me what to do. I'm mentally undressing Scott Bakula
right now. That's a start, isn't it?
ANDREW
(wistfully) Captain Archer... (nods)
XANDER
Come on, let's get this gay show on the gay road. Help me out here.
BUFFY
(smiles) What if you just start attracting male demons?
DAWN
(giggles) Clem always liked you.
ANYA
(pouting) It would serve you right.
GILES
Children, enough.
XANDER
I'd need some stylish new clothes.
GILES
Enough! Have you learned nothing from tonight's assorted chaos? There isn't
time for fun and games and quips about orientation. (holds up flashcards) These - these
aren't a joke. (flips through the cards) This - this happens. Girls are going
to die. We may die. It's time to get serious. (walks out of the room)
Cut to:
LIVING
ROOM AT BUFFY'S HOUSE - NIGHT
Buffy's sitting on the couch alone in the living room. Spike walks in and
sits next to her.
SPIKE
Did anybody tell you about what happened around here tonight?
BUFFY
Willow did. The First is back in the mix.
SPIKE
It, uh, it talked to the little boy. Said it wasn't time for me yet. I should
move out. Leave town before it is time for me.
BUFFY
No, you have to stay.
SPIKE
You've got another demon fighter now.
BUFFY
That's not why I need you here.
SPIKE
Is that right? Why's that then?
BUFFY
'Cause I'm not ready for you to not be here.
SPIKE
(looks at her a moment) And the Principal? How's he fit in? (Buffy looks at
him a moment, then Spike looks away)
Cut to:
BATHROOM
AT PRINCIPAL WOOD'S PLACE - NIGHT
Principal wood is bent over the sink, rinsing out his mouth as he finishes
brushing his teeth. He stands upright to look in the mirror, only to see a
black woman with a 1970's afro hairstyle standing behind him smiling.
WOMAN
You look good.
PRINCIPAL WOOD
You're not my mother.
NIKKI/FIRST
I give you a compliment, and you don't say thank you? Did I raise you that way?
PRINCIPAL WOOD
You didn't raise me at all.
NIKKI/FIRST
Well, I was dead.
Principal Wood turns to face her, then walks straight through her. At the
door to the bathroom, he stops and turns to face her again.
PRINCIPAL WOOD
(crosses his arms) So, you're the First. Why are you here? Why now?
NIKKI/FIRST
'Cause you've been coming up in the world - taking the demons out. It makes a
mother proud.
PRINCIPAL WOOD
Yeah? (steps forward) Well, think how pleased she'll be when I help take you
out. Until it's time for that, I've got no use for you. (turns to walk away)
NIKKI/FIRST
Would you like to know who killed me? (Principal Wood stops in his tracks) I
know you went looking for him.
PRINCIPAL WOOD
(turns to face her) You don't know anything.
NIKKI/FIRST
Is that right? Well, you can check it out after I tell you. Check the timing.
Re-read what the witnesses said, and the people in the subway station -
PRINCIPAL WOOD
Who is it?
NIKKI/FIRST
You met him. You know him. You fought at his side.
PRINCIPAL WOOD
Spike.
NIKKI/FIRST
(smiles) Now, what do you say?
PRINCIPAL WOOD
(looks down) Thank you.
END |
