Abbott, Stacey. The Comic Stylings of Wesley Wyndham-Pryce
Aberdein, Andrew. Insane Troll Logic: Popular Culture as Philosophical Heuristic
Adams, Michael. "Don't give me songs/Give me something to sing about": Buffy the Vampire Slayer and the Death of Style
Adams, Don. Between Anarchy and Slavery
Adams, Sarah. Safe Slash: Buffy and Spike's Romantic Journey
Albright, Richard S. “[B]reakaway pop hit or . . . book number?”: “Once More, With Feeling” and Genre
Alderman, Naomi. "Those whom the powers wish to deroy, they must first make mad: Gods, prophecy and death: the classical roots of madness in BtVS
Alexander, Jenny. 'A Vampire is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel
Alexander, David. Buffy the Vampire Slayer and the Orderliness of Series Television
Ali, Asim. Community from Hell
Aloi, Peg. My Art Belongs to Daddy: Rupert Giles as Magical Mentor, Indulgent Father, “Book Man”
Auty, Bronwen. The Use of Alternative Reality in Buffy the Vampire Slayer
Bastian, Misty. Sacred Twins, Evil Twins and Hidden Twins: Doubling and Power in the Buffyverse
Battis, Jes. "'This carpenter can drywall you into the next century': Xander's 'superpower' and the problem of female masculinities in Buffy"
Berry, Christopher. "Il y a" the Vampire Slayer: Encountering Levinas through "Hush"
Bianculli, David. Confessions of a TV Critic: My Name is David, and I'm a Buffyholic
Blanco, Thérèse. "You're Beneath Me": The Stigma of Vampirism in Buffy and Angel
Blasingame, Katrina. "I Can't Believe I'm Saying this Twice in the Same Century . . . But Duh . . .": The Evolution of Buffy the Vampire Slayer Sub-Culture Language Through the Medium of Fanfiction
Bloustien, Gerry. Carpe Diem or "Fish of the Day?": Time as Leitmotif in Buffy the Vampire Slayer
Bradney, Anthony. Images of Law in BtVS
Brown, Alanna. Xena, Buffy and the Courage to Be
Burdolski, Lauren. Reflections of Society in the Buffyverse
Burnett, Tamy. Mirror, Mirror: Creation of Self-Identity through Chosen Associations in Buffy the Vampire Slayer
Burr, Viv. Bringing Your Own Subtext: Individual Differences in Viewers’ Responses to Buffy |
___. Performing the Imaginative Variation: Using Buffy to teach Sartre
___ and Christine Jarvis. "Friends are the family we choose for ourselves: Young people and families in Buffy the Vampire Slayer
Bussolini, Jeffrey. Los Alamos is the Hellmouth
Calvert, Bronwen. Going Through the Motions: Robots in Buffy the Vampire Slayer
Castaldo, Annalisa. "People have a tendency to rationalize what they can": Continuity, Pleasure, and Pain in the Buffyverse
Cheramie, Deany M. "Nerd, Witch, and Lesbian: Aspects of Willow Rosenberg's Continual Coming Out Process
Cochran, Tanya. "Your Own Personal Savior . . . I Mean Slayer: Buffy and Religion, Buffy as Religion
Collins, Andrea N. It Really is a Mad, Mad, Mad, Mad World: Recognition, Articulation and Acceptance of Abnormal Psychological Behavior in Buffy the Vampire Slayer
Comeford, AmiJo. Structural Identity, or Saussure Visits Buffy/Angel's World: What's the Difference
Curry, Angela. “Gosh, Joss is a Thomist!?”
Daniel, Laura Faye. "Textual Promiscuity," Corporate Authorship, and the Autobiography of Buffy
Davis, Peggy. “I’m a Rogue Demon-Hunter”: Wesley’s Transformation from Fop to Hero on Buffy the Vampire Slayer and Angel
Diaz, Mary Kirby. Buffy, Angel, and the Creation of Virtual Communities
Diehl, Laura. Why Drusilla is More Interesting Than Buffy (now available in Slayage 13_14)
DiMaggio, Thomas. "Now Could I Drink Hot Blood": Buffy Summers as a Modern-Day Hamlet
Donaruma, William. Once More With Feeling: The Hellmouth in Postmodern Heaven
Dunn, George A. “A very strong urge to hit you”: Mimetic Rivalry and Scapegoating in Buffy the Vampire Slayer (with Brian McDonald)
Durand, Kevin K. J. Vampires and Slayers: Powers, Patriarchy, and Feminism (with Ashli Dykes)
Duricy, Michael. Marian Symbols in Buffy the Vampire Slayer
Dykes, Ashli. Vampires and Slayers: Power. Patriarchy, and Feminism (with Kevin Durand)
Edwards, Lynne. "No Wonder You Died": Buffy as Death Myth Goddess
Edwards, Jonathan J. The Amazing Mr. Cross: Recreating the Symbols of Religion in Buffy the Vampire Slayer
Eldevik, Randi. The Dangerous Edge of Things: Spike's Characterization on Buffy the Vampire Slayer and Angel
Erickson, Greg. Revisiting Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who Died”
Feathers, William R. Another Family Show: Buffy the Vampire Slayer and the Mother Maternal Body
Ferris, Shawna. Spike the Vampire, The Vampire Slayer, or Buffy's Preoccupation With “New' Masculinity”
Fitzpatrick, Caroline. Monsters and Mean Streets: Angel and the Legacy of Noir
Flor, Chris. Psychotic Narration and Institutionalization in "Normal Again"
Fontenot, Kirk. The Nature of the Beast: A Modernist Reading of Spike the Vampire and Faulkner's Joe Christmas
Francis, Jr., James. "Selfless": Locating Female Identity in Anya/Anyanka Through Prostitution
Fritts, David. Warrior Heroes: Buffy the Vampire Slayer and Beowulf
Gatson, Sarah N. Bronzers still, online and off? The changing nature of Bronzer identity after Buffy (with Amanda Zweerink)
Gelineau, Mark. Evolution of a Big Bad: Marginalization of Spike as Prelude to Transformation
Gorman, Jill. Renogiating Identity: Viewing the Post 9/11 Buffyverse in a Post 9/11 World
Grossman, Jacob. Spike, the Initiative, and the Substitution of the Technological for the Metaphysical
Grunloh, Devlin. The Painful Knowning Process: Willow Rosenberg, Transformational Language and the Logic Of Human Evil
Gutierrez, Phil. Caged and Tied: The Performative Nature of Violence in Buffy the Vampire Slayer (with Jorge Rodriguez)
Hale, Lisa. Buffy the Vampire Slayer and the Age of McLuhan
Halfyard, Janet. The greatest love of all: Cordelia's journey of self-discovery
Hall, Jasmine. Im/Material Girl: Abjection, Penetration, and the Postmodern Body on Buffy the Vampire Slayer
Haner, Heather. Buffy as a Pedagogical Tool in the Composition Classroom
Heinecken, Dawn. Extending the "Freak Show": Het fic and the Buffyverse
Held, Jacob. The Stuff We're Made of
Hetherington, Naomi. Blood Sisters: Sisterhood, Sacrifice, and Self-Harm in Buffy the Vampire Slayer, Season Five
Hill, DeNara. Why are the White Hats so White? Self-Identity and Problems of Ethnic Non-Diversity in Buffy the Vampire Slayer
Hill, Kathryn. Music, subtexts, and foreshadowing: the contextual role of "source" music in Buffy the Vampire Slayer
Hills, Laura. Intercultural Communicative Competence and 'Buffy the Vampire Slayer': How Anya learned to be less Aud
Holder, Nancy. After the Revolution: Greetings Sans Citations from a Cultural Worker in the Buffyverse
Holte, James. Buffy's Cinematic Credentials: From Big Screen to Small Screen
Jackson, Russ. "Why don't you just go back where you came from?" Aspects of post-colonial theory in Buffy the Vampire Slayer
Jarvis, Christine. "Wow, they're all so identical": Choosing conformity or death as an adult learner in the Buffyverse | Bringing Your Own Subtext: Individual Difference in Viewers' Responses to Buffy (with Viv Burr)
Jencson, Linda. The Male Hero in Feminish Society: Comparisons of Buffy's Spike and the Iroquois' Hiawatha
Jenéy, Cynthia. Perspective by Incongruity and the Tao of Cordelia: Dramatistic Considerations of Vampires, Technology, and the Technological Society
Jowett, Lorna. The Problem of Romance and the Representation of Gender in Buffy and Angel
Katchuck, Michelle. Buffy and the Other
Keller, Don. Buffy's Shadows or, Not Quite Thirteen Ways of Looking at the Scooby Gang
Keyser, Catherine. "All I Can Say Is, Buffy, I've Changed": The Redemption of Spike and Anya Modeling the Reeducation of the Spectator in Buffy the Vampire Slayer
Kinsey, Tammy. "I Wish I Had the Blue": Cinematic Language in "The Body"
Kirkland, Ewan. Buffy the Vampire Slayer and Constructions of Whiteness
Kneis, Philipp. "I Touch the Fire and it Freezes Me". Soul-Searching on Buffy the Vampire Slayer and Angel
Krug, Gary J. Men, Watching, Buffy: Questing for the Unattainable (with Mimi Marinucci)
Krüger, Oliver. Buffy and its religious Consequences in Germany - Slayage, Teenage and supernatural Powerwomen
Kruithoff, Olaf. "Buffy the U.N. Slayer" - US Against THEM
Krzywinska, Tanya. Demon Power Girl: Regimes of Form and Force in Videogame Versions of Buffy the Vampire Slayer
Lachance, Paul. “Fate and the Knowledge of Future Contingents: What Did Cassie Know?”
Lam, Michelle. How evil is represented in Buffy the Vampire Slayer
Lavery, David. “I Wrote My Thesis on You": Buffy Studies as an Academic Cult (now available in Slayage 13_14)
Lehmann, Joanna. The Bully within and Without: Facing Intimidation in Buffy the Vampire Slayer.
Lenzhofer, Karin. "Buffy's Fantasies"
Lerner, Neil. Christophe Beck and Buffy's First Romances: Paradoxes of Musical Scoring in Buffy the Vampire Slayer
Levy, Jennifer. From Metaphor to RealityL Resurrection as Rape in the Buffyverse
Lincoln, Charles Edward. Buffy's Golden Bough: Myth and Political Structure from Ariccia to Sunnydale
Linscott, Vaughn. Buffyspeak and Newspeak: Contrapositive Paradigms of Speech
Lioi, Anthony. Giving Them the Axe: Witches, Slayers, and a Final Feminist Enchantment
Locklin, Reid. Convener of Buffy and Religion Panel
Lorge, Peter. The Martial is the Message, or why Buffy can't fight
Marinucci, Mimi. Men, Watching, Buffy: Questing for the Unattainable (with Gary Krug)
Marsh, Tanya. Due Process for Demons? Law and Justice in the Buffyverse
McClain, Katia. Buffy Slays Walt Disney
McDonald, Brian. “A very strong urge to hit you”: Mimetic Rivalry and Scapegoating in Buffy the Vampire Slayer (with George A. Dunn)
McGuire, John. Appeciating the Zeppo: The Gender Flexibility of Xander Harris in Buffy the Vampire Slayer
Melton, Gordon. Buffy's Historical Credentials:Dracula to Forever Knight
Middents, Jeffrey R. A Sweet Vamp: Critiquing the Treatment of Race in Buffy and the American Musica Once More (with Feeling)
Milavec, Melissa. Archetypal Articulations of the Dream World in the Buffyverse
Miller, Elizabeth. Buffy's Literary Credentials: Dracula's Revealing Footprints
Money, Mary Alice. Setting Up Shop in Hell: Angel in Season 5
Montz, Amy L. "Size Doesn't Matter?": The Disembodied Miniature in Buffy the Vampire Slayer
Moreno, Elena. The Poetics of Space in Buffy the Vampire Slayer
Mukherjea, Ananya. Passing On: Buffy Fanfiction and Reconciling Ends and Transitions in the Buffyverse
Muntersbjorn, Madeline. Slayer Soul: Suffering, Survival, & Stength
Neal, Chris. Vampires Rock, Heads Roll: Tone Painting, Characterization via Musical Style, and other Musical Symbolism in "Once More, With Feeling"
O'Meara, Radha. Patterns of Revelation in Buffy the Vampire Slayer and Angel
O'Reilly, Julie D. Examining the "Girl Question": The Use of Doubles in Buffy the Vampire Slayer
Osell, Tedra. "In Many a Scaly Fold": Maternal Love, Maternal Lust, and Temporal Transformation in BtVS
Pateman, Matthew. "My name's Buffy and your history"
Patton, Lori C. "What Else Are we Gonna Do?" Finding "The Courage to Be" with Angel and Buffy
Paule, Michele. You're on my campus buddy!: Sovereign and disciplinary power at Sunnydale High (with Laura Davison)
Pender, Patricia. Whose Revolution Has Been Televised? The Transnational Sisterhood of Slayers
Perdigao, Lisa K. "Bringing Buffy back": Re-animating the Body in/of Buffy the Vampire Slayer
Perry, David. Marti Noxon: Buffy's Other Genius
Peters, Mark. "The Nah-nah-nah-nah-nah-nah Approach to Naming: A Slice of Slayer Slang
Petrova, Erma. The Faust Paradigm: Soul-Having in Buffy the Vampire Slayer and Marlowe's Doctor Faustus (paper to be delivered by Russ Jackson)
Phillips, Maxine. Respondent to “Such is the Will Of God”: Freedom and Destiny in the Buffyverse
Porter, Heather. Buffy Lives: An Angian Examination of Buffy Watchers (Text | Appendices in Microsoft Word)
Pruter, Robin. Be My Buffy: Buffy the Vampire Slayer and Girl Group Music--Cultural Representations of the Teenage Girl
Pungente, S. J., John J. Buffy is the Key: Teaching Media Literacy
Purac, Selma Amina. "What If I'm Still There?" Reality and Schizophrenic Psychosis in "Normal Again"
Rambo, Elizabeth. I've Got a Little List, or "You Guys Wanna Team Up and Take Over Sunnydale U?"
Rees, Shelley. "One Girl" no More: Female Jealousy in BtVS
Richardson, J. M. Russian Existentialism and Vampire Slayage: A Shestovian Key to the Power and Popularity of Buffy the Vampire Slayer (with J. D. Rabb)
Riess, Jana. Buffydharma: BtVS and the New American Buddhism
Riser, Jim. Guns Don't Kill Vampires; People Kill Vampires--The Weapons of BtVS or The Search for WMD--Weapons of Monster Destruction in BtVS
Rodriguez, Jorge. Caged and Tied: The Performative Nature of Violence in Buffy the Vampire Slayer (with Phil Gutierrez)
Rogers, Brett. Driving Stakes, Driving Cars: Californian Car Culture, Sex, and Identity in BtVS (with Walter Scheidel)
Rose, Anita. Buffy’s Choice: The Meta-Narrative of Buffy the Vampire Slayer
Rosenfeld, Lawrence. On Teaching Buffy: Interpersonal Relationships in Buffy the Vampire Slayer (UNC, Spring 2004)
Ruddell, Caroline. “I am the Law,” “I am the Magics”: Split characters, speech and power in Buffy the Vampire Slayer
Rust, Linda. "In my plan, we are belt-less": Andrew's Fannish Practices in "Storyteller"
Salah, Trish. Raising the Unconscious or the Dead? The Uncanny Pedagogy of Buffy the Vampire Slayer
Sandler, Kevin. Teaching the Vampire Slayer: Pedagogy and Projects from University of Arizona's Buffy Class
Scanlon, Meaghan. “What’s more real? A sick girl in an institution… Or some kind of supergirl..”: The Question of Madness in “Normal Again,” a feminist reading (with Caitlin Peeling)
Schaeffer, Kyle. "Because It's Naughty": Fidelity and Evil in Buffy the Vampire Slayer
Scheidel, Walter. Driving Stakes, Driving Cars: Californian Car Culture, Sex, and Identity in BtVS (with Brett Rodgers)
Schiffren, Mara. On Escherian Dualism and the Metaphysics of the Middle Way: Interpreting the Spatial Architecture of Angel the Show
Shade, Pat. Screaming to be Heard: Reminders and Insights on Community and Communication in "Hush"
Shapiro, Paul. Alexander Harris: Buttmonkey No More
Shepherd, Dawn. "In the Plus Column": The Timeliness of Faith
Showalter, Dennis. Buffy Goes to War: The Introductions of Military Genre Conventions in the Seventh Season of Buffy the Vampire Slayer
Shull, Ira. The Candide of Sunnydale: Andrew as Satire of Pop Culture and Marketing Trends in Buffy the Vampire Slayer
South, James. “On the Philosophical Consistency of Season 7” (now available in Slayage 13_14)
Sparling, Rebecca. “But You’re Just a Girl”: Representations of the New Woman in Buffy and Dracula
Spicer, Arwen. "It’s Bloody Brilliant!" The Undermining of Metanarrative Feminism in the Season Seven Arc Narrative of Buffy
Spooner, Catherine. "What's with the makeover of the damned: Buffy, Goth, and Sartorial Evil
Staudacher, Joanne E. Spanking the Inner Moppet: The Expression of Women's Anger in the Good-vs-Evil Universe of Buffy the Vampire Slayer
Stokes, Jennifer. “Who died and made you John Wayne?” or Why Riley Could Never Be a Scoobie
Stowell, Louie. Absent Fathers and Multiplying Christs in Buffy the Vampire Slayer
Stuart, Susan. When Ontologies Collide: The Essential Confusion of Existence in the Buffyverse
Sutherland, Sharon. If a Vampire Bites a Lawyer, Is It Cannibalism? The Demonization of Lawyers in Angel (with Sarah Swann)
Svatek, John. Fonty Goodness: Authenticity through Graphic Design on Buffy the Vampire Slayer
Swan, Sarah. If a Vampire Bites a Lawyer, Is It Cannibalism? The Demonization of Lawyers in Angel (with Sharon Sutherland)
Sylvia, IV, J. J. Postmodernism and Buffy: Challenging Mass Media's Ideological Grip on the Simulacra
Symonds, Gwyn. "A Little More Soul Than is Written": Acting "Spike" and the Ambiquity of Evil in Sunnydale
Taylor, Lauren Todd. The Real and Its Vampiric Vicissitudes: Watching Buffy with Slavoj Zizek
Tiemeier, Tracy. “Self Becoming or Becoming Self? A Comparative Study of Buffy and the Hindu Saint Antal on Identity and Self-Realization,”
Tjardes, Sue. Out of the Basement, into the Background: Xander's Masculinity and Marginalization
Toye, Margaret. The New Man, Fitting Mate for the New Woman: Buffy and the Boys via Postfeminist Ethics
Turnbull, Sue. “Not Just Another Buffy Paper”: Towards an Aesthetics of Television
Turner, Chestina. Sacrificing the Boys: Buffy the Vampire Slayer
Tuszynski, Stephanie. "IRL (In Real Life)": The Bronze Documentary Project
Van Dyke, Trudi. "'At Midnight Drain the Stream of Life': Vampires and the New Woman"
van Gameren, Sophia. ‘That Boy Is Our Last Hope’: Andrew, Star Wars and the Figure of the Jedi in Buffy the Vampire Slayer
Vox, Lisa Roy. “This Is How Many Apocalypses For Us Now?”: The Buffyverse Apocalyptic and Premillennialist Christianity
Welsh, Jennifer. “Don’t Speak Latin in Front of the Books”: Knowledge, Power, and History in Buffy the Vampire Slayer
Wilcox, Rhonda V. “The Princess Screamed Once”: Power, Silence, and Fear in “Hush”
Williams, Todd. The Threat to the Subject in “Once More, With Feeling”
Wilson, Tamara. Buffy and Jame Sitting in a Tree – What are our Girl Heroes Up to Now?
Wilts, Alissa. Lesbian-Type Lovers: Heterosexual writer bias and the Evil/Dead Lesbian Cliché in the representation of the Willow/Tara relationship
Winslade, Jason. “It’s inside you now, this magic”: Magickal Embodiment and Occult Ethics in the Buffyverse
Worsley, Natasja. VoiceBox: Sex, Language and Power in "Hush"