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Top 10 of Buffy & Angel Episodes [ Part 1 ]
Read here Horror Brains (a new community of IGN) Top 10 Buffy&Angel Episodes. Here the 10 - 6 ! |
Top Ten Buffy Episodes
So what exactly is the greatest Buffy the Vampire Slayer episodes of all time? Is your Top Ten the same as mine? I'll give you a hint...'Bad Eggs' or 'Beer Bad' won't be on my list.
Before I get into my definitive list as to what the top ten Buffy episodes of all time are, I must first inform you what won’t be on this list and what barely came close. You will not find any episodes on this list that are defined by their single moments. A single excellent moment does not necessarily make a great episode. You will not find on this list any battle against The Master, the moment where Angel loses his soul after sleeping with Buffy, the death of Angel, Doppelganger Willow, the battle against the Mayor, etc. They are great moments, yes, but not necessarily from great episodes.
There are also some favorite episodes of mine that had to be left off the list much to my dismay. I looked back at all the seasons of Buffy and left with an initial list of over thirty-six episodes that I had to trim down to only ten. Some of these honorable mentions include: “Killed by Death,” “Amends,” “The Zeppo,” “Earshot,” “Who Are You,” “Restless,” “Selfless,” and “Conversations With Dead People.” Those are only a few and are in no particular order.
Now, onto the list:
NUMBER TEN
Season Two – Episode 17: Passion
Written By: Ty King
Directed By: Michael E. Gershman
Original Air Date: 2/24/1998
‘Passion’ is on this list for several different reasons. For one, it was a creepy episode that dealt with what can happen when a significant other goes from being that nice person to that possessive lover. I distinctly recall Angelus’ creepy voiceovers as he watched Buffy at the Bronze and as she slept. The episode is also ranked because it features the moment when Angelus killed Jenny Calendar by snapping her neck. Jenny and Giles had been at odds for several episodes, but this marked the one where it looked as if they were going to get back together. In one of the best moments of Buffy’s run, we see Giles come home, expecting a romantic evening with Jenny. An opera is playing in the background, roses are thrown about, and there, just as he enters his bedroom, right when the opera reaches its crescendo, it is revealed that Jenny’s dead body is waiting for him in his bed. The heartbreak of Giles is one of the defining moments of the series. This also marks the first time where Buffy agrees that Angelus must be stopped at all costs…even if that means she must kill Angel in the process.
NUMBER NINE
Season Three – Episode 12: Helpless
Written By: David Fury
Directed By: James A. Contner
Original Air Date: 1/19/1999
‘Helpless’ marked a departure for the show, in that many things that were once solid were suddenly flipped upside down. Joss Whedon started Buffy because of his want to make a strong, horror movie heroine, who didn’t run around crying until she fell down right at the feet of her killer. This marked the episode where Buffy became that clichéd horror victim that Joss wanted to get away from. As part of her Slayer training, the Watchers make Buffy go through a test where all her Slayer powers are taken from her, and she must be confined to a sinister house to battle a ravenous vampire with no Slayer powers whatsoever. The vampire actually breaks loose earlier on and kidnaps Buffy’s mom as well. There is a chill-inducing scene where we see the room with all the Polaroid’s of Buffy’s mom. The other big departure is Giles betraying Buffy. It marks the first time where Giles lets Buffy down, by being the one who took her powers away and not objecting to the council until afterwards.
NUMBER EIGHT
Season Seven – Episode 17: Lies My Parents Told Me
Written By: David Fury, Drew Goddard
Directed By: David Fury
Original Air Date: 3/25/2003
Many people have bad-mouthed the final two seasons of Buffy, though in general I still thought they were good even if they weren’t on the same level as the earlier seasons. ‘Lies My Parents Told Me’ is great television for several reasons. The first is that we get to see a little more of the history of Spike’s character. We learn that Spike had some mother issues, tried to save her after Drusilla made him a vampire, but ultimately had to kill his own mom after her vampirism changed who she once was in William’s mind. The flashbacks give some intriguing insights into what makes Spike tick. The episode also had a creepy battle between Spike and Principal Wood, which was confined to a garage adorned with nothing but crosses all across the wall. The fight starts off with the eerie playing of the song that transforms Spike into his ‘sleeper agent’ self. What makes the fight so great is all the emotion that inhabits each and every punch and kick. Principal Wood’s mom was a Slayer – the one Spike killed in New York and whose leather duster he wears until this day – and we know that he is fighting to get revenge for his mother. It is a great fight because it relies more on emotions and actions instead of special effects and wirework.
NUMBER SEVEN
Season Five – Episode 7: Fool For Love
Written By: Douglas Petrie
Directed By: Nick Marck
Original Air Date: 11/14/2000
Yet another Spike flashback centered episode makes the list. Much of season four and season five had been leading up to this moment. Spike found himself falling in love with Buffy throughout those seasons, and it comes to a head here in one defining final moment. Before we get to that moment, however, we are treated to several interesting Spike back-stories. Buffy wants to know why those Slayers died, how did Spike get the upper hand, and he obliges Buffy by telling her in detail how each of the past Slayers died at his own hands. We get to see Principal Wood’s mom for the first time, which is the slayer with the leather duster that he kills in an exciting battle on a New York subway. We also see Spike takeout an Asian slayer during a big time rebellion. While these moments are fun to watch, the real capper of the episode is the final interaction between Spike and Buffy. Spike goes to Buffy’s house to kill her, chip be damned, because he couldn’t stand Buffy saying he was beneath her. He has his weapon in hand, is about to pull the trigger, but then Buffy raises her head with tears in her eyes. In this extremely touching moment, Buffy’s mom’s illness is taking a toll on her, she is completely broken, and in one swift moment Spike is putting his weapon to the side, sitting beside her, and comforting her. It is the moment when the viewer finally realizes that Spike does indeed love Buffy.
NUMBER SIX
Season Two – Episode 16: Bewitched, Bothered and Bewildered
Written By: Marti Noxon
Directed By: James A. Contner
Original Air Date: 2/10/1998
Many people want to use Marti Noxon as a scapegoat as to why they didn’t like season six (I’m not one of those people) but I can tell you now that Noxon did some great work on Buffy and that this won’t be the only episode she did that makes this top ten list. ‘BBB’ doesn’t exactly have any literary or groundbreaking moments, but it makes the list because it is so well done and just an enjoyably fun episode to watch time and time again. In this Xander centered episode, we find Cordelia breaking up with him after her friends thought Xander was below her social standing. Xander seeks Amy out to due a love spell to make Cordy his again, but the spell backfires when it protects Cordy from the spell, but makes every other woman Xander runs across instantly attracted to him. We get to see Jenny falling over Xander - right in front of Giles - who makes a hilarious noise as Giles pulls her away in protest. We also get to see – much to the pleasure of many men – Buffy wearing nothing but a black raincoat as she tries to seduce Xander. Sure, the episode was funny from beginning to end - including Willow in Xander’s bed and Buffy’s mom coming on to Xander - but can you get much better than Buffy in only a raincoat. I think not.
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Buffy the Vampire Slayer, its characters, and the Buffy logo are the property of Joss Whedon, Mutant Enemy, the WB Television Network, and Twentieth Century Fox. Angel-The Series, its characters, and the Buffy logo are the property of Joss Whedon, Mutant Enemy, the WB Television Network, and Twentieth Century Fox.Other Series, their characters and logos are property of the proper right owners.
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