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Twice the third!
"Serenity" and Joss Whedon made it into the list of the New York Magazine Culture Awards 2005. |
Culture Awards
Movies
Gay cowboys rode high in the saddle, Brangelina wrestled, documentaries danced, Reese drawled, David Cronenberg and Joss Whedon shocked, and smart New York films ruled again. Meanwhile, the comebacks kept coming, as King Kong, Woody Allen, and Robert Downey Jr. all roared back—one in a strangely British accent.
By Ken Tucker
Best Movie
‘A History of Violence’
 David Cronenberg’s triumphant exploration of what happens when one man’s peaceful small-town life is exploded by a visitor from his past. Viggo Mortensen and Maria Bello help create a portrait of a solid, sexy marriage strained to the breaking point. The year’s most surprising mixture of genres—thriller, love story, revenge tale—told with the meticulousness of a great prose short story.
2 ‘Brokeback Mountain’
Not a reinvention of the love story, as some would have it, but a different way to tell a big, commercial love story—with same-sex romantic leads who aren’t pushing a self-congratulatory, life-affirming “message” at you. Director Ang Lee takes E. Annie Proulx’s short story and helps Heath Ledger and Jake Gyllenhaal achieve two new personal bests in delicate shadings of emotion. Their characters face down entire lifetimes of desire and heartache for each other.
3 ‘Serenity’
The year’s best underrated movie, courtesy of writer-director Joss Whedon’s resurrected short-lived TV series Firefly: spaceships, quips, and soaring wit—all for a relatively modest price (see Best Debut).
Best Debut *
Paul Haggis
Haggis had done some TV directing, but nothing could have prepared us for the multiplot storytelling he so adroitly layered into his big-cast stunner Crash.
2 Shane Black, Kiss Kiss, Bang Bang: For his first feature, Black could have coasted on his clever script and the performances of Robert Downey Jr. and Val Kilmer; instead, he also established himself as a devilishly clever manipulator of pacing and showcased his stars’ eccentricities to create a noir puzzle with resonance.
3 Joss Whedon, Serenity: Made for $40 million, a fraction of the budget of a Star Wars movie, Whedon’s feature-film debut was a sci-fi lark that was scarier, emotionally richer, and a lot funnier than anything Lucasfilm could come up with.
*Special all-directors edition, because this year they just kept coming.
Click on the source-link and read the complete list with many categories!
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Buffy the Vampire Slayer, its characters, and the Buffy logo are the property of Joss Whedon, Mutant Enemy, the WB Television Network, and Twentieth Century Fox. Angel-The Series, its characters, and the Buffy logo are the property of Joss Whedon, Mutant Enemy, the WB Television Network, and Twentieth Century Fox.Other Series, their characters and logos are property of the proper right owners.
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