Articles in Alphabetical Order by Author

Stacey Abbott (British Film Institute). A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer  (3)

Stacey Abbott (University of Surrey Roehampton). Walking the Fine Line Between Angel and Angelus (9)

Michael Adams (Indiana University). Introduction: Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire Slayer (20)

Richard S. Albright (Harrisburg Community College). “[B]reakaway pop hit or . . . book number?”: “Once More, with Feeling” and Genre (17)

Naomi Alderman and Annette Seidel-Arpacı, Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/Angelverse (10)

Jenny Alexander  (University of Sussex, Fulmer). A Vampire is Being Beaten - De Sade Through the Looking Glass in Buffy and Angel (15)

Camille Bacon-Smith, The Color of the Dark (8)

Derik A. Badman, Academic Buffy Bibliography (7)

Holly G. Barbaccia (University of Pennsylvania). Buffy in the "Terrible House" (4)

Margaret Bates (Duke U), Emily M. Gustafson, Bryan C. Porterfield, Lawrence B. Rosenfeld (U North Carolina). "When Did Your Sister Get Unbelievably Scary?" Outsider Status and Dawn and Spike’s Relationship (16)

Jes Battis (Simon Fraser University). “She’s Not All Grown Yet”: Willow As Hybrid/Hero in Buffy the Vampire Slayer (8)

___. Demonic Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra (18)

Katrina Blasingame (Columbia College, Chicago), “I can’t believe I’m saying it twice in the same century . . . but ‘duh . .  .’” The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction (20)

Cynthia Bowers (Kennesaw State University). Generation Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles (2)

Michele Boyette (University of North Florida). The Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain: Spike is for Kicks (4)

Anthony Bradney (University of Leicester).  “I Made a Promise to a Lady”: Law and Love in BtVS (10)

___ (University of Sheffield). The Politics and Ethics of Researching the Buffyverse (19)

Rob Breton and Lindsey McMaster (University of British Columbia). Dissing the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the Vampire Slayer (1)

Martin Buinicki and Anthony Enns (University of Iowa). Buffy the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies, and the New Economy of Power  (4)

Vivien Burr (University of Huddersfield), Buffy and the BBC: Moral Questions and How to Avoid Them (8)

Jeffrey Bussolini (University of Staten Island). Los Alamos is the Hellmouth (18)

Michelle Callander (University of Melbourne). Bram Stoker's Buffy: Traditional Gothic and Contemporary Culture (3)

Bronwen Calvert (Sunderland University). Going Through the Motions: Robots in Buffy the Vampire Slayer  (15)

Richard Campbell and Caitlin Campbell, Demons, Aliens, Teens and Television (from Television Quarterly) (2)

Holly Chandler, Slaying the Patriarchy: Transfusions of the Vampire Metaphor in BtVS (9)

Daniel A. Clark and P. Andrew Miller (Northern Kentucky University). Buffy, the Scooby Gang, and Monstrous Authory: BtVS and the Subversion of Authority (3)

Carolyn Cocca (SUNY Old Westbury). "First Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist Theories, and Buffy the Vampire Slayer (10)

Agnes Curry (St. Joseph College). Is Joss Becoming a Thomist? (16)

Giada Da Ros (University of Trento). When, Where, and How Much is Buffy a Soap Opera? (13/14)

Robert A. Davis (University of Glasgow). Buffy the Vampire Slayer and the Pedagogy of Fear (3)

Laura Diehl  (Rutgers University). Why Drusilla is More Interesting Than Buffy (13/14)

Frances Early (Mount St. Vincent University). Staking Her Claim: Buffy the Vampire Slayer as  Transgressive Woman Warrior (6)

Greg Erickson (Brooklyn Conservatory of Music). Revisiting Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who Died” (13/14)

Aimee Fifarek (Louisiana State University). "Mind and Heart with Spirit Joined”: The Buffyverse as an Information System (3)

Claire Fossey, "Never Hurt the Feelings of a Brutal Killer": Spike and the Underground Man  (8)

David Fritts (Henderson Community College). Warrior Heroes: Buffy the Vampire Slayer and Beowulf (17)

Richard Greene and Wayne Yuen (San Jose State University). Why Can’t We Spike Spike?: Moral Themes in Buffy the Vampire Slayer (2)

Janet K. Halfyard (Birmingham Conservatoire, University of Central England). Love, Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy the Vampire Slayer and Angel  (4)

___ (Birmingham Conservatoire, University of Central England). Singing Their Hearts Out: The Problem of Performance in Buffy the Vampire Slayer and Angel (17)

Massimo Introvigne (CESNUR). Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy  (7)

Alice Jenkins and Susan Stuart (University of Glasgow). Extending Your Mind: Non-Standard Perlocutionary Acts in "Hush" (9)

Lorna Jowett (University College, Northampton).  New Men: "Playing the Sensitive Lad" (13/14)

___. The Summers’ House as Domestic Space in Buffy the Vampire Slayer (18)

Roz Kaveney, A Sense of the Ending: Schödinger’s Angel (16)

Ewan Kirkland (University of Sussex). The Caucasian Persuasion of Buffy the Vampire Slayer (17)

___ (Buckingham Childterns University College). A Conference Report on "Bring Your Own Subtext": Social Life, Human Experience and the Works of Joss Whedon (18)

Jesse Saba Kirchner (University of California, Santa Cruz), And in Some Language That’s English? Slayer Slang and Artificial Computer Generation (20)

David Kociemba (Emerson College).  “Over-identify much?”: Passion, "Passion," and the Author-Audience Feedback Loop in Buffy the Vampire Slayer (19)

Kelly Kromer (Louisiana State University). Silence as Symptom: A Psychoanalytic Reading of "Hush" (19)

Tanya Krzywinska (Brunel University). Playing Buffy: Remediation, Occulted Meta-game-Physics and the Dynamics of Agency in the Videogame Version of Buffy the Vampire Slayer (8)

David Lavery (Middle Tennessee State University). Apocalyptic Apocalypses: The Narrative Eschatology of Buffy the Vampire Slayer  (9)

___. "Emotional Resonance and Rocket Launchers": Joss Whedon's Audio Commentaries on the Buffy the Vampire Slayer DVDs" (6)

___. "A Religion in Narrative": Joss Whedon and Television Creativity (7)

___. “I Wrote My Thesis on You": Buffy Studies as an Academic Cult (13/14)

Hilary M. Leon (Loyola University, Chicago). Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy (1)

Reid B. Locklin (Boston University). Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good (6)

C. W. Marshall (University of British Columbia). Aeneas the Vampire Slayer: A Roman Model for Why Giles Kills Ben (9)

Cynthea Masson (Malaspina University-College, Nanaimo, British Columbia), “Is that just a comforting way of not answering the question?”: Willow, Questions, and Affective Response in Buffy the Vampire Slayer (20)

Bruce McClelland. By Whose Authority? The Magical Tradition, Violence, and the Legitimation of the Vampire Slayer (1)

Scott McLaren (York University). The Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the Soul (18)

Kevin McNeilly (University of British Columbia), Sue Fisher (University of Alberta), and Christina Sylka (University of British Columbia). Kiss the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking Thing” (2)

J. Gordon Melton (University of California, Santa Barbara). Words from the Hellmouth: A Bibliography of Books on Buffy the Vampire (4)

___. Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 (6)

Jeffrey Middents (American University). A Sweet Vamp: Critiquing the Treatment of Race in Buffy and the American Musical Once More (with Feeling) (17)

Philip Mikozsch and Dana Och (University of Pittsburgh). Previously on Buffy the Vampire Slayer . . . (5)

Gabrielle Moss, From the Valley to the Hellmouth: Buffy’s Transition from Film to Television (2)

Matthew Pateman (University of Hull). "Restless" Readings--Involution, Aesthetics, and Buffy (19)

Michele Paule (Oxford Brookes University). You're on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High  (15)

Mark Peters (Empire State College). Getting a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive on the Television Without Pity Message Boards (20)

Zoë-Jane Playdon (University of London). “The Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer (5)

Brett Rogers and Walter Scheidel (Stanford University). Driving Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS Driving Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS (13/14)

Rod Romesburg (Ohio State University). Regeneration through Vampirism: Buffy the Vampire Slayer’s New Frontier (19)

Lawrence B. Rosenfeld and Scarlet L. Wynns (University of North Carolina at Chapel Hill). Perceived Values and Social Support in Buffy the Vampire Slayer (10)

Caroline Ruddell (Brunel University, Middlesex, UK), “I am the law” “I am the magics”: Speech, Power and the Split Identity of Willow in Buffy the Vampire Slayer (20)

James South (Marquette University). On the Philosophical Consistency of Season 7 (13/14)

Victoria Spah (The Buffy Data Base). Ain't Love Grand: Spike & Courtly Love (5)

Arwen Spicer (University of Oregon). "It’s Bloody Brilliant!" The Undermining of Metanarrative Feminism in the Season Seven Arc Narrative of Buffy  (15)

Arwen Spicer (University of Oregon). "Love’s Bitch but Man Enough to Admit It": Spike’s Hybridized Gender (7)

Wendy A. F. G. Stengel (Georgetown). Synergy and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer Communities of Interest  (4)

Greg Stevenson (Rochester College). The End as Moral Guidepost (15)

Gwyn Symonds (University of Sydney). Playing More Soul Than is Written (16)

___. "Solving Problems with Sharp Objects": Female Empowerment, Sex and Violence in Buffy the Vampire Slayer (11-12)

Judith Tabron (Hofstra University). Girl on Girl Politics: Willow/Tara and New Approaches to Media Fandom (13/14)

Sue Turnbull (LaTrobe University). "Not Just Another Buffy Paper”: Towards an Aesthetics of Television | Power Point Version (13/14)

Sherryl Vint (University of Alberta). "Killing us Softly"? A Feminist Search for the "Real" Buffy (5)

William Wandless (Emory University). Undead Letters: Searches and Researches in Buffy the Vampire Slayer (1)

J. Lawton Winslade (DePaul University). Teen Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer (1)

Rhonda V. Wilcox (Gordon College). "Every Night I Save You": Buffy, Spike, Sex and Redemption (5)

___.  "T. S. Eliot Comes to Television: Buffy's 'Restless'" (7)

___. "There Will Never Be a ‘Very Special’ Buffy”:  Buffy and the Monsters of Teen Life  (2)

Gina Wisker (Anglia Polytechnic University). Vampires and School Girls: High School Highjinks on the Hellmouth in Buffy the Vampire Slayer (2)

Articles in Alphabetical Order by Title

Academic Buffy Bibliography (7) Derik A. Badman.

Ain't Love Grand: Spike & Courtly Love (5) Victoria Spah.

And in Some Language That’s English? Slayer Slang and Artificial Computer Generation (20) Jesse Saba Kirchner.

Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy  (7) Massimo Introvigne.

Bram Stoker's Buffy: Traditional Gothic and Contemporary Culture (3) Michelle Callander.

“[B]reakaway pop hit or . . . book number?”: “Once More, with Feeling” and Genre (17) Richard S. Albright.

Buffy and the BBC: Moral Questions and How to Avoid Them (8) Vivien Burr.

Buffy in the "Terrible House" (4) Holly G. Barbaccia (University of Pennsylvania).

Buffy, the Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority (3) Daniel A. Clark and P. Andrew Miller.

Buffy the Vampire Slayer and the Domestic Church: Re-Visioning Family and the Common Good (6) Reid B. Locklin.

Buffy the Vampire Slayer and the Pedagogy of Fear (3) Robert A. Davis.

Buffy the Vampire Disciplinarian: Institutional Excess, Spiritual Technologies, and the New Economy of Power  (4) Martin Buinicki and Anthony Enns.

By Whose Authority? The Magical Tradition, Violence, and the Legitimation of the Vampire Slayer (1) Bruce McClelland.

The Caucasian Persuasion of Buffy the Vampire Slayer (17) Ewan Kirkland.

The Color of the Dark (8) Camille Bacon-Smith.

The Comic Anti-hero in Buffy the Vampire Slayer, Or Silly Villain: Spike is for Kicks (4) Michele Boyette.

A Conference Report on "Bring Your Own Subtext": Social Life, Human Experience and the Works of Joss Whedon (18) Ewan Kirkland 

Demonic Maternities, Complex Motherhoods: Cordelia, Fred and the Puzzle of Illyra (18) Jes Battis 

Demons, Aliens, Teens and Television (from Television Quarterly) (2) Richard Campbell and Caitlin Campbell.

Dissing the Age of Moo: Initiatives, Alternatives, and Rationality in Buffy the Vampire Slayer (1) Rob Breton and Lindsey McMaster.

Driving Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS Driving Stakes, Driving Cars: California Car Culture, Sex, and Identity in BtVS (13/14) Brett Rogers and Walter Scheidel.

End as Moral Guidepost, The (15) Greg Stevenson.

"Every Night I Save You": Buffy, Spike, Sex and Redemption (5) Rhonda V. Wilcox (Gordon College).

The Evolution of Joss Whedon’s Vampire Mythology and the Ontology of the Soul (18) Scott McLaren 

Extending Your Mind: Non-Standard Perlocutionary Acts in "Hush" (9) Alice Jenkins and Susan Stuart (University of Glasgow).

"First Word 'Jail,' Second Word 'Bait'": Adolescent Sexuality, Feminist Theories, and Buffy the Vampire Slayer.  Carolyn Cocca.

From the Valley to the Hellmouth: Buffy’s Transition from Film to Television (2) Gabrielle Moss.

Generation Lapse: The Problematic Parenting of Joyce Summers and Rupert Giles (2) Cynthia Bowers.

Getting a Wiggins and Being a Bitca: How Two Items of Slayer Slang Survive on the Television Without Pity Message Boards (20) Mark Peters.

Girl on Girl Politics: Willow/Tara and New Approaches to Media Fandom (13/14) Judith Tabron.

Going Through the Motions: Robots in Buffy the Vampire Slayer  (15) Bronwen Calvert.

“I am the law” “I am the magics”: Speech, Power and the Split Identity of Willow in Buffy the Vampire Slayer (20) Caroline Ruddell.

“I can’t believe I’m saying it twice in the same century . . . but ‘duh . .  .’” The Evolution of Buffy the Vampire Slayer Sub-Culture Language through the Medium of Fanfiction (20) Katrina Blasingame.

“I Made a Promise to a Lady”: Law and Love in BtVS (10) Anthony Bradney.

“I Wrote My Thesis on You": Buffy Studies as an Academic Cult (13/14) David Lavery.

Images from the Hellmouth: Buffy the Vampire Slayer Comic Books 1998-2002 (6) J. Gordon Melton.

Imaginary Para-Sites of the Soul: Vampires and Representations of ‘Blackness’ and ‘Jewishness’ in the Buffy/Angelverse (10) Naomi Alderman and Annette Seidel-Arpacı.

Introduction: Beyond Slayer Slang: Pragmatics, Discourse, and Style in Buffy the Vampire Slayer (20) Michael Adams

Is Joss Becoming a Thomist? (16) Agnes Curry

“Is that just a comforting way of not answering the question?”: Willow, Questions, and Affective Response in Buffy the Vampire Slayer (20) Cynthea Masson.

"It’s Bloody Brilliant!" The Undermining of Metanarrative Feminism in the Season Seven Arc Narrative of Buffy  (15) Arwen Spicer.

"Killing us Softly"? A Feminist Search for the "Real" Buffy (5) Sherryl Vint.

Kiss the Librarian, But Close the Hellmouth: “It’s Like a Whole Big Sucking Thing” (2) Kevin McNeilly, Sue Fisher, and Christina Sylka.

A Little Less Ritual and a Little More Fun: The Modern Vampire in Buffy the Vampire Slayer  (3) Stacey Abbott.

Los Alamos is the Hellmouth (18) Jeffrey Bussolini.

Love, Death, Curses and Reverses (in F minor): Music, Gender and Identity in Buffy the Vampire Slayer and Angel  (4) Janet K. Halfyard.

"Love’s Bitch but Man Enough to Admit It": Spike’s Hybridized Gender (7) Arwen Spicer.

"Mind and Heart with Spirit Joined”: The Buffyverse as an Information System (3) Aimee Fifarek.

"Never Hurt the Feelings of a Brutal Killer": Spike and the Underground Man (8) Claire Fossey.

New Men: "Playing the Sensitive Lad" (from Sex and the Slayer, forthcoming from Wesleyan U P) (13/14) Lorna Jowett.

"Not Just Another Buffy Paper”: Towards an Aesthetics of Television | (13/14) Sue Turnbull.

On the Philosophical Consistency of Season 7 (13/14) James South.

“The Outsiders' Society”: Religious Imagery in Buffy the Vampire Slayer (5) Zoë-Jane Playdon.

“Over-identify much?”: Passion, "Passion," and the Author-Audience Feedback Loop in Buffy the Vampire Slayer (19) David Kociemba. 

Perceived Values and Social Support in Buffy the Vampire Slayer (10) Lawrence B. Rosenfeld and Scarlet L. Wynns.

Playing Buffy: Remediation, Occulted Meta-game-Physics and the Dynamics of Agency in the Videogame Version of Buffy the Vampire Slayer (8) Tanya Krzywinska.

Playing More Soul Than is Written (16) Gwyn Symonds

The Politics and Ethics of Researching the Buffyverse (19) Anthony Bradney. 

Previously on Buffy the Vampire Slayer . . . (5) Philip Mikozsch and Dana Och.

Regeneration through Vampirism: Buffy the Vampire Slayer’s New Frontier (19) Rod Romesburg. 

"A Religion in Narrative": Joss Whedon and Television Creativity (7) David Lavery.

"Restless" Readings--Involution, Aesthetics, and Buffy (19) Matthew Pateman. 

Revisiting Buffy’s (A)Theology: Religion: “Freaky” or just “A Bunch of Men Who Died” (13/14) Greg Erickson.

A Sense of the Ending: Schödinger’s Angel (16) Roz Kaveney

“She’s Not All Grown Yet”: Willow As Hybrid/Hero in Buffy the Vampire Slayer (8) Jes Battis.

Silence as Symptom: A Psychoanalytic Reading of "Hush" (19) Kelly Kromer. 

Singing Their Hearts Out: The Problem of Performance in Buffy the Vampire Slayer and Angel (17) Janet K. Halfyard.

The Summers’ House as Domestic Space in Buffy the Vampire Slayer (18) Lorna Jowett

A Sweet Vamp: Critiquing the Treatment of Race in Buffy and the American Musical Once More (with Feeling) (17) Jeffrey Middents.

Synergy and Smut: The Brand in Official and Unofficial Buffy the Vampire Slayer Communities of Interest  (4) Wendy A. F. G. Stengel.

Teen Witches, Wiccans, and “Wanna-Blessed-Be’s”: Pop-Culture Magic in Buffy the Vampire Slayer (1) J. Lawton Winslade.

"There Will Never Be a ‘Very Special’ Buffy”:  Buffy and the Monsters of Teen Life  (2) Rhonda V. Wilcox.

T. S. Eliot Comes to Television: Buffy's "Restless" (7) Rhonda V. Wilcox.

Undead Letters: Searches and Researches in Buffy the Vampire Slayer (1) William Wandless.

Vampire is Being Beaten, A - De Sade Through the Looking Glass in Buffy and Angel (15) Jenny Alexander.

Vampires and School Girls: High School Highjinks on the Hellmouth in Buffy the Vampire Slayer (2) Gina Wisker.

Walking the Fine Line Between Angel and Angelus (9) Stacey Abbott

Warrior Heroes: Buffy the Vampire Slayer and Beowulf (17) David Fritts.

"When Did Your Sister Get Unbelievably Scary?" Outsider Status and Dawn and Spike’s Relationship (16) Margaret Bates, Emily M. Gustafson, Bryan C. Porterfield, Lawrence B. Rosenfeld

When, Where, and How Much is Buffy a Soap Opera? (13/14) Giada Da Ros.

Why Can’t We Spike Spike?: Moral Themes in Buffy the Vampire Slayer (2) Richard Greene and Wayne Yuen.

Why Drusilla is More Interesting Than Buffy (13/14) Laura Diehl.

Why We Love the Monsters: How Anita Blake, Vampire Hunter, and Buffy the Vampire Slayer Wound Up Dating the Enemy (1) Hilary M. Leon.

Words from the Hellmouth: A Bibliography of Books on Buffy the Vampire Slayer (4) J. Gordon Melton.

You're on my campus, buddy!: Sovereign and disciplinary power at Sunnydale High  (15) Michele Paule.