Special Effects


Blinking body

Joss Whedon has said that in the episode The Body, Kristine Sutherland (whose character had just died) blinked a couple of times when in the body bag. Those blinks were taken out using CGI.

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Blood recipe

At the Houston Slayercon in 2005, James Marsters told the crowd that vampire blood on Buffy and Angel was actually made of Strawberry Quik.

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Minion
Brain-suck

Glory’s brain-sucking effect was achieved by Clare Kramer pushing her fingers into a dummy head covered in blue material. In post-production, the blue head was digitally removed by computer and replaced by the victim’s head.

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Burned out school

The ruins of Sunnydale High seen in Doomed were all computer generated.

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Dusting vampires

When vampires are killed (via wooden stakes, sunlight or beheading), they turn to dust. The Scoobies use the word as a verb to describe killing a vampire (i.e. “We dusted him”). The first person to use the word in this way on the show was Buffy in The Harvest, “So, …

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Dawn
Filming Glory’s tower

Gareth Davies, a Buffy producer, revealed to the BBC that Glory’s tower at the end of season five (seen in The Gift) nearly became a hazard. He said:
“We found a company which had what looked like a huge oil derrick in its front yard… The Art Department went down and …

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Buffy
Hunga-Munga

Buffy’s cross-like throwing weapon in the episode Anne is called a hunga-munga. It was purchased from a magazine by the props department. The effect of it spinning through the air was created by attaching it to a ball-bearing and a dowel and then spinning it on the spot.

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Monster from Hell

The budget for filming Prophecy Girl didn’t allow for any major CGI, so the Hellmouth’s monster eventually became a massive tentacled thing, made by Special Effects studio Optic Nerve. Each of the tentacles had a person inside it, operating it.

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Wiggly ear

The effect of an invisible Buffy nibbling Spike’s ear in Gone was apparently achieved by gluing a stick to James Marsters’ earlobe, wiggling it about and then removing the stick with computer graphics in post-production.

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